Women in Ancient Greece and Rome
Assignments from Previous Classes

 

Course Home Syllabus Assignments Important Information Internet Resources Amusements
 

Assignment for Thursday, Nov. 29: Pompeii continued

Go to the Interactive Pompeii site and explore.  Your goal is to determine what the lives of the women of Pompeii would have conteinted on a daily basis.  Where did they live?  What did they do?  How did they get from point A to point B?  What were their homes like?  What did they do to occupy themselves?  What kinds of jobs outside the home do women have?  What did they do for entertainment?  What evidence pertains to upper class women, to working class women, and to slaves?  Were there ways in which men's lives were substantially different from womens?  In what ways were they the same?

You will find more answers in the astounding Pompeii in Pictures site.  You can get an idea of houses, streets, public buildings, fountains ... virtually (haha) every area is photographed in extreme detail and accessible from this map.  If you want to get a good visual idea of what streets women walked down, where they bought their household (and other) items, where they got their water, etc. -- this site is the place.

As an introduction, you might try the Secrets of Archeology video on Pompeii (Youtube).

You don't have to answer all these questions, but for those you choose, be prepared to show us the area of the site (the material place and the commentary on the web site or elsewhere) that allows you to draw your conclusions. 

Be prepared to present some of this to the class and/or discuss it with others who shared your interest.

Pompeii Power Point

NOTE: The rubric of research papers is up on the Important Information Page

Preparation for Tuesday, Nov. 20: Age of Augustus

Reading: Fantham 280-93; L&F # 68-71, 75, 174-8

Power Point: Age of Augustus

 

Focus Questions

Preparation for Thursday, Nov. 15: New Woman

Reading: Fantham 280-93; L&F # 68-71, 75, 174-8

Power Point: New Woman Power Point

Assignment Due:  Traditional Identities vs. New Woman worksheet.  Using the worksheet to organize your observations, consider:   In what ways are some of the behaviors attributed to the "New Woman" of Late Republican Rome in direct opposition to traditional Roman values of the Early Republic?  Consider the identities of the matrona and univira, and the concepts of pudicitia and patria potestas, and contrast the new identities and behaviors with these traditional standards.  Come up with examples (literary or historical) for these behaviors.  (Complete instructions are on the worksheet.)

New Woman Power Point

Terms and Names

Catullus (Lesbia) Propertius (Cynthia) Tibullus
Sulpicia Cicero  

Prepare for Class:

New Woman vs. New Man worksheet: List some of the characteristics of the "New Woman" as she emerges in literary sources.  Then list some opposing or parallel features of the "New Man" who is her lover. 

Focus Questions

Preparation for Tuesday, Nov. 13: Late Republican Rome

Reading: Fantham 260-279; L&F # 51-3, 167-73

Power Point

Due: Reading Focus Quiz (on Early Republic & terms)

Discussion Questions

Note: We'll focus on a few key issues for class discussion, and I will provide some glue to hold them together.

Issue 2: Life as a Slave

Issue 3: Women's Admirable Qualities and Actions

Terms and Names for the Late Republic

Cato Valerius Livy
Plautus Cornelia Lex Oppia
contubernalis manumission Cicero
freedwoman contubernalis  

Terms and Names for the Etruscans

Theopompus Tanaquil Etruria
Tarquin / Tarquins haruspex / haruspicy  

Terms and Names for Republican Rome

 (These terms will also apply to the rest of the Roman world as well, so don't expect this kind of list every time ...)

familia pudicitia paterfamilias
patria potestas manus sui juris
gens matrona univira
patrician plebean equestrian
freedmen/freedwomen Romulus Livy
Sabine Women Ovid Cloelia
Verginia Lucretia Twelve Tables
Juno Vestal Virgins Ceres/Proserpina

 

Preparation for Tuesday, Nov. 6: The Etruscans

Reading: Fantham 243-59

Power Points:

Republican Rome

Etruscan Women

Focus Questions:

Ideas:

Assignment for Thursday, Oct. 25: Women's Bodies, Women's Voices

Preparation for Thursday, Oct. 30: Medicine

Reading: Fantham 183-203; L&F # 341-57

BRING YOUR FANTHAM BOOK  TO CLASS or you will be totally lost.

Class Discussion:

I will hand out sheets that ask you to determine the attitudes of a doctor to three of the elements below, and in a group with others, you will consolidate your ideas about these issues and try to explain them to the other "doctors" in the class.

Doctor Discussion Topics:

Key Issues:

Ideas

 

Terms and Names

Simaetha Theocritus (author) Erinna
Nossis Corinna Anyte

Assignment for Thursday, Oct. 25: Women's Bodies, Women's Voices

Reading: Fantham 169-180, L&F # 10-27, Theocritus, Idyll II (Expanded version of the Simaetha poem)

Focus Questions

Terms and Names

Simaetha Theocritus (author) Erinna
Nossis Corinna Anyte

Assignment for Tuersday, Oct. 23: Hellentistic Women II

Reading:  Fantham 155-168; L&F # 303-16, 363-82

Preparation:  Focus on two primary sources (not necessarily related) either from L&F or as quoted in Fantham.  For each:

Assignment for Thursday, Oct. 18: Hellentistic Women I

Reading: Fantham 128-155, L&F # 228 ("the dildo," in a more complete version than in Fantham), 241 (women and boy lovers compared, from an ancient romance novel), and 425-37 (women functioning as priestesses).

Due: Reading Focus quiz: Hellenistic Woman I

Focus Questions 

Cleopatra VII and Berenike II were both famous royal women who had real power in the kingdom of Egypt and were commented on extensively by historians and biographers.  So:

What are the pastimes of women and women's behavior among themselves, according to writers like Herodas and Theocritus?

 

NOTE: There is a one-week extension on the essay: it is now due Nov. 1.  Essay goals and topics

Terms and Names

Berenice II Cleopatra VII Alexandria (Egypt)
Herodas (author of dramatic skits) Theocritus (author of lively poetry) Callimachus ("Lock of Berenice")
documentary papyrus Isis syncretism
Canopus Decree (regarding the cult of Berenice III) New Comedy (Menander)  

Assignment for Tuesday, Oct. 16:

MIDTERM

Midterm Review and Essay Topics

Assignment for Thursday, Oct. 11: Amazons

Reading: Fantham 128-135, L&F # 164 

Preparation:  Look over the Amazons Power Point

Focus Questions 

Ideas

Terms and Names
Scythians Persians Penthesilea/ Achilles
Antiope Hippolyta Theseus
Heracles Amazonomachy Plutarch (Life of Theseus)
Diodorus Siculus (1c CE ethnology -- role reversal & mutilation) Herodotus (5c BCE -- Amazons unite with Scythians) Alexander Romance

Assignment for Thursday, Oct. 4: Medea Cont.; Lysistrata

Reading: review Euripides' Medea; read Aristophanes' Lysistrata.  

Focus Questions: 

Lysistrata:  What are the gender/sex relationships that make Lysistrata's plan work?  To what extent do these ideas align with information about women's roles in Athens based on other sources?

Medea: For the first part of class, I'm assigning each person a "Medea" interpretation and  "Jason" interpretation.  (The two might not agree).  Your job -- to support "your" interpretation, whether you believe it or not, with evidence from the text.  Consider things such as:

Jason 1: Avery, Cindy, Megan, Sarah, Katie, Kristina, Kristen, Fernando, Jeffrianne

Jason 2: Layne, Priscilla, Jessica, Olivia, Maggie, Emma, Bailey, Jennifer, Lili, Madeline

Medea 1: Sarah, Jessica, Madeline, Avery, Megan, Bailey, Katie

Medea 2: Jennifer, Maggie, Cindy, Kristina, Jeffrianne, Jennifer

Medea 3: Olivia, Layne, Emma, Lili, Fernando, Kristen, Priscilla

Terms, Names and Ideas

Comedy Aristophanes Lysistrata
Peloponnesian War chorus, choryphaeus Kallonike
Lampito Myrrhine Kinesias

Jason Interpretation 1:

From the start, he is portrayed as treacherous in abandoning Medea and their children.  When he defends his actions, his arguments are clearly facile and self-serving, and he is more concerned with elevating his own position than anything else, including loyalty to his existing family.  He shows several times that he does not really care about the children, and only thinks of their deaths as a diminishment of himself.  Throughout, he behaves in a thoroughly despicable way, and the audience would have little sympathy for him.

Jason Interpretation 2:

Although Jason has decided to remarry and abandon Medea, he has good reasons for doing so.  Since being exiled from Iolcus, the family has nothing, and he is creating a real future for his family that they didn’t have before.  He also has every reason to be concerned about Medea, since she is a dangerous woman and has proven herself capable of violence.  He does care about his children, and throughout the play is working within the conflicts surrounding Medea to try to do what’s best for them, including insuring their future.  In Jason, the audience would see a man who is trying to make the best of a bad situation, but is in a no-win situation and loses everything because he is not able to overcome the obstacles.

Medea Interpretation 1:

Medea is a heroic character whose journey in the course of the play is from helplessness to revenge.  The tension between her  and Jason is not so much about love and marriage, or even shared parenthood, but results from her rage at Jason’s betrayal.  She is not so much concerned with losing her lover as with avenging herself on a man who broke his promises to her and does her harm.  She loves the children, but everything she does is in service of revenge, and the children are a necessary sacrifice.  The audience would be horrified at the murder of the children, but would be more or less on her side and would understand why she found it necessary to do it.

Medea Interpretation 2:

From the start of the play, Medea is an alarming character.  While the Nurse and chorus express sympathy for her, their expressions of fear about her violence and danger, combined with her deceptive encounter with Creon,  make everything she says and does suspect and give the audience ominous foreshadowing of the final destruction.  Medea’s arguments with Jason show her as a manipulator who knows how to work people’s emotions (Jason’s and those who are sympathetic to her), and her mentions of the children are all manipulation.   At the end of the play, after she kills her children, the audience (at least its male members) would be reaffirmed in their view of women as irrational and potentially dangerous.

Medea Interpretation 3:

Medea’s story is one of loss, of being cut loose from everything human until finally there is nothing left of her but the witch whose dragon chariot reveals a completely different place in the world from her earlier helplessness.  From the beginning, we see her cut off from everything – her home, her family, now her husband and possibly her children.  The exchanges with Jason highlight the extent to which the Greek world has cut her off and rejected her.  When she kills her children in revenge, it is the final stage of her tragic loss of everything human and transformation into the fearsome witch that has little concern for humanity.

Assignment for Tuesday, Oct. 2

Source and Citation Exercise due

Description of the Source and Citation Exercise

Reading:

Euripides' Medea; L&F # 28-35, 59-67; Review  L&F 87 on women and crime

Focus Questions: 

(1) Men vs. Women on stage.  In Medea as well as in L&F 28-35 & 59-67, there are speeches by male and female characters about the hardships men cause women and women cause men.   Come to class prepared to articulate the masculine view of the problems with women, and/or the feminine view of how men and their customs are harmful to women.  In groups, we'll arrange argument for both sides of the debate between:

(2) The rights and wrongs of Jason and Medea's behavior towards each other and those around them.  From your position in the M/F debate above, determine the ways in which Jason and Medea acted in accordance with custom or against it, were constrained by custom or broke free of it, and acted according to a moral code, whether supported by custom or not.

Terms, Names and Ideas

Tragedy Medea Jason
Aegeus chorus (in tragedy) Creon / Creusa
Euripides (Andromache, Helen, Medea, Hippolytus, Bacchae) Sophocles, Tereus (Procne)
Pasiphae Hippolytus (Euripides character) Widow of Diodotus

Assignment for Thursday, Sept. 27

Reading: No new reading; you may want to start Euripides' Medea.  Review the selections on legal issues in L&F (see Previous Classes link).

Focus Questions: 

(1) See the Power Point Images of Women.  Some of these are identified, some are not.  For each image, consider such issues as:

(2) We will continue with our discussions of the passages below, in particular L&F 76

Women and Law

Athenian Religion Power Point

Terms, Names and Ideas

Hera Athena Artemis
Aphrodite sphinx gorgon
libation Parthenon (Frieze) Thesmophoria
Haloa Anthesteria Basilinna
Dionysus Maenad Adoneia
Pythia (Delphi) ritual of inversion  

Assignment for Tuesday, Sept. 25

Reading:

Focus Questions

Religion 

Women and Law

Athenian Religion Power Point

Description of the Source and Citation Exercise

Assignment for Thursday, Sept. 20: Athenian Women III: : Religion

Reading: Fantham 83-101, 115-118; L&F #383-5, 391, 397-400, 402-3, 406

Class Discussion:

We will focus on the rituals described in Fantham pp. 83-93, and in L&F # 383-5, 391, 397-400, 402-3.  Following the Analysis of Rituals Worksheet, jot down notes on 3-5 rituals to share in class discussion.

And for the third time, we'll approach L&F 267, Xenophon and housewives (see below):

Lefkowitz and Fant: Reading  267, Xenophon's Oeconomicus

 

Assignment for Thursday, Sept. 20: Athenian Women III: : Religion

Reading: Fantham 83-101, 115-118; L&F #383-5, 391, 397-400, 402-3, 406

Class Discussion:

We will focus on the rituals described in Fantham pp. 83-93, and in L&F # 383-5, 391, 397-400, 402-3.  Following the Analysis of Rituals Worksheet, jot down notes on 3-5 rituals to share in class discussion.

And for the third time, we'll approach L&F 267, Xenophon and housewives (see below):

Lefkowitz and Fant: Reading  267, Xenophon's Oeconomicus

 

Ideas

 

Terms & Names for Sept. 13/18:

proika (dowry) epikleros (heiress) oikos (household)
kyrios (guardian) hetaira (courtesan) Medea (Euripides' play)
Andromache (Euripides' play) Antigone (Sophocles' play) Solon (lawgiver)
Xenophon (author, Oeconomicus) Plutarch  
Lycurgus helot Aristotle
Xenophon Plutarch Dorians

Assignment for Tuesday, Sept. 18: Athenian Women II: Daily Life

(Note the change from the syllabus-- we are switching daily life and religion)

Also Note: Source and Citation Exercise now due Sept. 27.

Reading: Fantham 101-109, 115-118, L&F # 65, 267*, 286-8, 317-18, 322-5

Due: Reading Focus Quiz 4

Discussion

Lefkowitz and Fant: Reading  267, Xenophon's Oeconomicus

Athenian Women 1 Power Point

Sexualities Power Point  (This contains some fairly graphic images (in vase paintings) so if this will offend you, skip it.)

Assignment for Thursday, Sept. 13: Athenian Women I: Overview

Reading: Fantham 68-83; L&F # 73-74, 225-30, L&F 267.

Discussion

Two Passages:  (for class discussion, groups then all)

Lefkowitz and Fant: Reading #72 (Aristotle) pp. 38-41: Key ideas  (some of this is excerpted in Fantham, pp. 65-6)

Assignment for Tuesday, Sept. 11:Spartan Women

Reading: Fantham 56-67; L&F 91-100, 72

Quiz on quotes and authors:  see linked description

Reading Focus Quiz 3 due

Focus questions:

Spartan Women Power Point

Terms & Names for Sept. 11

Lycurgus helot Aristotle
Xenophon Plutarch Dorians

Quiz description:

You will be given four identified quotes, and will choose two of them to write a brief paragraph about.  Your paragraph should include some (but not all) of the following, depending on your point of view and the points you want to bring up. 

Rubric: [Grade] achieved by a paragraph showing:

Assignment for Thursday, Sept. 6: Early Women Poets

Reading:
Review Fantham 15-17; L&F #1-9, 160, 162; Sappho poems translated by Julia Dubnoff (full text here)

Focus Questions:

Terms & Names for Sept. 6:

Sappho lyric Erinna
Nossis Korinna Praxilla
lyre chorus homoerotic
homosocial epigram erastes/eromenos

Tuesday, Sept. 4: Archaic Misogyny

Reading:  

NOTE on the reading:

To turn in:  Reading Focus Quiz 3 (link up soon)

Focus Questions:

Terms and Names for Sept. 4:

Hesiod Semonides Pandora
Solon Telesilla kore
parthenos gyne graus
nymphe lamentation  

Thursday, Aug. 30: Homeric Women II: Marriage, Wives: Circe, Penelope, Andromache

Reading:  Fantham 33-39, 44-49; Homer Excerpts

To turn in:  Reading Focus Quiz 2

Focus Questions:

Terms and Names for Aug. 28:

Homer, Iliad and Odyssey Hector and Andromache Helen
Odysseus and Penelope Circe Clytemnestra
oikos dowry hedna
patrilineal    

Ideas:

Tuesday, Aug. 28: Sources; Homeric Women I: Maidens: Persephone, Demeter, Nausicaa

Reading: Fantham 10-33; Homeric Hymn to Demeter Optional: Sue Blundell, Olympian Goddesses

Assignment Due: Reading Quiz 1 (The first part is based on Blundell, the last on the Fantham reading)

Power Point: Homeric Women I

Focus Questions:

  1. Marriage by kidnapping and divine rape of nymphs or mortals are common themes in Greek mythology (we may see more of this later). Does Persephone’s story give you any insight into why the ancient Greeks would have had such an interest in this story? Does this motif have any resonance in the present day?
  2. Where and on what level of experience does the Homeric Hymn to Demeter most connect with you?
  3. How does Nausicaa compare with Persephone and the daughters of Keleos?  How do any of them compare with the expectations of modern young women (idealized, fictionalized, or real)
  4. (The text of the Homeric Hymn to Demeter also has some discussion/focus questions for each key episode of the poem)

Thursday, Aug. 23: Introduction

Welcome to class!  There is no reading assignment to prepare beforehand, but you should survey the following summaries of Greek gods and goddesses, and review the power point from class.  Scroll down for a list of terms, names and ideas to learn.

 

 

Terms, Names and Ideas for Aug. 23-28:

Zeus Hera Poseidon
Hades Demeter Persephone
Athena Apollo Artemis
Aphrodite Dionysus iconography
patriarchy polis Mycenae (Mycenean)
Crete (Minoan) Bronze Age Primary sources
Secondary sources    
Alcman / Partheneia  Homer / Odyssey Homeric Hymns
Sappho Nicandre kore (korai, pl.)
Nausicaa Archilochus / Neoboule Zeus
Hades Demeter Persephone
Eleusis cult dedications by women marriage as symbolic death
artistic vs. documentary written sources "archaic" kourotrophos