Sarah Glaser
Dr. Rohler

Com 290

3/1

Hip-Hop

Definition

Hip-hop is plural and is defined by an approach to music making rather than a single stylistic designation.It refers to the backing music for rap, which is often composed of a collage of excerpts or "samples from other songs," it also refers to the culture of rap.The culture of rap is made up of graffiti spraying, break-dancing, and turntablism in addition to the rapping it self-surrounding the music.Hip-hop is a cultural form that attempts to negotiate the experiences of marginalization, brutally truncated opportunity, and oppression within the cultural imperatives of African American and Caribbean history, identity, and community.As a subculture it is defined as "a cultural movement which is expressed through various artistic mediums we call elements.These four elements are:MCing (rapping), graffiti art, break-dancing, and DJing (spinning records).Artists are able to express different aspects of their lives to others through these elements, as well as opinions, speculations, and gripes.They can provide positive examples for others like themselves who are on the same path they were on before they hit the music scene.It is about pure struggle.It is also a rebellion against disco.As a style, it refers to music created with those values in mind.It has compelled people of all races to search for the excitement, artistic fulfillment, and even a sense of identity by exploring the black underclass.Hip-hop is perhaps the only art form that openly celebrates capitalism.Materialism is shown in many songs.Also, hear cross-promotion, where one song contains an advertisement for another.The verbal texture makes it an ideal way to communicate ideas, whether satirical, political, or personal.

Beginning of Hip-Hop

From the beginning hip-hop has been a platform for individuals to express their life experiences and worldviews to the masses.In Jamaican ska-era, the 1960's, a DJ would spin and cut the wax and a MC would sing, shout, or dub poetry over it.That's the roots of hip-hop, which were brought to New York City by Kool DJ Herc, but hip-hop or rap was created in New York City.The roots of hip-hop can be traced all way back to distinct rhythmic styles and musical characteristics of reggae music from poor Jamaican villages.Hip-hop began in the Bronx in 1971. Clive Campbell, from Kingston, Jamaica, had a party for his sister.Soon he was doing more parties and by 1973, he had become Kool DJ Herc.By age 18 he was the first, break-beat DJ, reciting rhymes over the "breaks" or instrumental part of the records he was spinning.He had two turntables and two copies of each record, so he could play the break over and over on one turntable then the next.Break-dancing evolved as a result of the extended drum solos.Another big name was Joseph Saddler figured out a way to listen to one turntable on headphones while the other turntable was revving up the crowd.That way a DJ could keep two records spinning seamlessly over and over again.He would cue records with his elbows, his feet and behind his back.He invented "scratching" which is spinning a record back and forth to create a scratchy sound.He became Grandmaster Flash.He joined with the Furious Five and became the first mainstream hip-hop group.Black and Hispanic youths who had no dance halls and community spaces began dancing in the streets; first, to disco then to Jamaican influenced DJ remixes, then to rap.The DJ's would tap into streetlights to drive the sound systems.Young musicians, as a result of under funded schools that could not provide instruments, would use stereo technology to make new sounds.Young artists painted on subway cars and walls.Break-dancing, rap, and graffiti art were basically need-induced innovations, and enriched each other.Graffiti artists designed posters, stages, sets, and fashions for local DJ's and rap musicians. While break-dancers followed the rhythms of rap.In the early to mid 1970's, based on the fundamentals of "beats" and "breaks", the MC's contrasting styles split into two groups: Disco and B-Boys.Disco appealed more to the black disco crowd and stressed crowd response over actual rhyming.B-Boys were more in touch with the streets than their counterparts.It favored a tougher, rapid-fire rhyming approach.Kool DJ Herc and Grandmaster Flash are examples.

Major Milestones of Hip-Hop

-1979 The Sugar Hill Gang comes up with Rapper's Delight.

-1984 Run-D.M.C. introduces the signifiers of gold chains and untied sneakers.They kept the beats minimal and emphasized the lyrics, while occasionally adding hard-rock guitars.

-1980's and early 1990's saw edgy, political rhymes and dense, sample heavy beats.

-During the 1980’s, hip-hop began to make its move out of the inner cities.Hip-hop moved from strictly east coast to west coast as well, and everything in the middle.TuPac is an example of a West Coast artist.Women also began making a move onto the scene during the 1980's.

-In the 1990’s, hip-hop began to focus on sex, violence, drugs, and most of all, money.Most of the artists have lost the ideas of why hip-hop was established.They are more concerned with collecting Bentley's, Crystal Champagne, and incomprehensible amounts of platinum jewelry.

-Music videos are filled with barely clothed women, unbelievably expensive cars, and a multitude of diamonds and hundred dollar bills.

-Give it up or Turn it Loose (in the Jungle Groove Remix) By James Brown.This was known as the National Anthem of Hip-hop.

Some of the Artists

Marvin GayeBeastie Boys

Bone Thug-N-HarmonyHouse of Pain

A Tribe Called QuestDMX

Wyclef JeanWu-Tang Clan

OutKastLauryn Hill

Will Smith2 Pac

Now

Hip-hop has become one of the most potent and successful forms of the 20th century.It’s success due to television shows like BET's Rap City and MTV Raps, and movies.However, some people think that today's performers embrace only the rapping, not the essence, or the culture of hip-hop.They feel that the songs and videos embrace the money and women, who have on little to no clothing, instead of the meanings hip-hop used to hold.

Bibliography and Links

Petracca, Micheal and Sorapure, Madeleine, ed.Common Culture: Reading and Writing about American Popular Culture. Prentice Hall: Upper Saddle River, New Jersey 2001.

http://www.allmusic.com/cg/amg.d11

http://www.rapdict.org/terms/h

http://www.journalism.indiana.edu/gallery/student/j201spring01/eviall/sekenny/index.html

http://www.africana.com/Articles/tt_239.htm

http://rhino.com/Features/liners/72851lin.html

http://www.infoplease.com/spot/hiphop1.html