Nick Temple
Com 290

Rap

Rap:Spoken words with an underlying rhythm section consisting of bass, drums, and occasional keyboard sounds. The words are spoken rhythmically, and accents in this speaking are very important.

Though Rap has only gained prominence mostly in the 80’s and 90’s, it’s true roots can be traced back further.In the 40’s, an artist known as Cab Calloway used a call and response format with his audience which is in itself on of the foundations of rap. Other musicians who used this technique, or used a similar monologue-style in their music include Lou Rauls, Charlie Daniels, Bo DiddleyArloGutherie, and Peter, Paul and Marie.Also, the rhythms of rap can be traced back to African rhythms, because rap utilizes such rhythms in both in its speech patterns and in the music which accompanies it.Later, the DJ’s which would prove to be a cornerstone of rap started appearing in the Bronx in the 60’s, including DJ LovebugStarski,Kool DJ Herc, and DJ Hollywood.DJ Joseph Saddler used a technique of using 2 separate turntables playing the same music, switching between them and repeating selected grooves.The people who performed with him would chant things.This became known as “rapping”.

Eventually, rap began to take on a style of it’s own and enter the mainstream popular culture.The first rap recording to put rap on the charts was the Sugar Hill Gang’s “Rapper’s Delight”.Around the same time, King Tim III was also released. The unique thing about these two recordings was that they used live musicians rather than instrumental grooves from records.The term “Hip Hop” originated out of the lyrics of “Rapper’s Delight”.In the early 80’s, Kurtis Blow introduced the first rap single to go gold with “The Breaks”, and the white group Blondie introduced rap to white audiences in a somewhat diluted form with its hit single “Rapture”.Later, in ’82, political rap with controversial messages was introduced by Grandmaster Flash and the Furious Five with their album “The Message”.Along the same Time, Run DMC’s “It’s Like That” came out as well with political undertones.In ’86, a method called “Sampling” was born where rap artists took previously recorded tracks and then rerecorded over them.However, musicians began stealing from other musicians with this practice without giving credit, which caused some trouble.Run DMC further put rap into the mainstream by working with Aerosmith on “Walk this Way” in ’86.In the sameyear, the Beasie Boys, a white rap group, sold 4 million copies of their Album “Licensed to Ill”, the most successful rap album to date.The late 80’s saw the rise of a more offensive and confrontation style of rap in Gangsta Rap.This style was particularly championed by N.W.A., whose album “Straight Outta Compton” had to have one track, “Fuck Tha Police” removed because it was feared that it inspired violence against police.In ’92 Ice-T suffered the same treatment with his single “Cop Killer”.These songs were deemed to controversial by conservatives at the time.Meanwhile, at around the same time more mainstream acts helped to popularize a more dance oriented, less offensive style with artists like M.C. Hammer and Kris Kross.Today, rap is more popular than ever before and is a definitive part of mainstream popular musical culture.Some examples of artists today are Busta Rhymes, Ludacris, Dr. Dre, and there are many others.

Rap has proved to be a strong voice for the African American community.It has expressed political concerned as well as brought African American performers into the limelight of popular culture.Unfortunately, there is still much conservative opposition against it.This concern though may be more than just a desire to censor curse words.After all, the violent movies of white superstars like Sylvester Stallone and Arnold Schwartzenegger are rarely attacked by these same people.It is a mistake to lump all rap artists together as “ganstas” or offensive lyricists, because many address issues that are of concern to the African American community, like racism, politics, and violence in the streets.

Works Cited

Della.Rap.Retrieved April 9, 2002 from the World Wide Web:

http://busboy.sped.ukans.edu/~music/rap/rap.html

Stancell, Steven.(1996).RapWhoz Who.New York:Simon & Schuster Macmillan.

Lurkin, Colin.(Ed.).(1998).The Encyclopedia of Popular Music.(Vol.6).New York: Groves Dictionaries Inc.