
"You
don't get to choose how you're going to die or when. You can only decide how you're going to live." -Joan Baez
Success
The 1960’s were a
time of political changes and awakenings in the United States. Joan Baez,
a determined anti- violence advocate, appeared on the music scene armed with a
guitar, her beliefs, and some meaningful folk ballads. The distinctive youth culture that was
appearing all over the U.S. was shaped by music, and Joan’s strong opinions and
morals gained her the appreciation of this young rebellious generation. Teenagers, in any generation, struggle with
the issues of autonomy, self-image, sexual attraction,
education, and peer groups. Joan’s music
appeals to youth who were struggling with each of these issues, and helped them
through the difficult time of adolescents.
She appeals to this age group, especially in the 1950’s and 1960’s
because she embodies all of these struggles in her music and her political
activism.
Biography
Joan Chandos Baez was born on January 9, 1941 in Staten Island, New
York. Baez
grew up half Mexican and learned about racial discrimination at a young
age. She struggled to promote pacifism and peace during the turbulent
1960s, and she followed the Buddhist teachings of her mentor Ira Sandperl into
demonstrating against the Vietnam War. According to the Joan Baez Web
Pages, Baez withheld 60% of her taxes that were supposed to be reserved for
the Vietnam War, and she arranged non-violent marches to support her anti-war
cause. Befriending Martin Luther King Jr. and walking beside him during
the march in Grenada, Mississippi, Baez actively protested
against the beatings of black school children when schools were being
desegregated. In her autobiography And a Voice to Sing With, Baez
addresses Martin Luther King Jr. saying, "You, more than anyone else who
has been a part of my life, are my hope and inspiration" (113). In the
late summer of 1958, the Baez family moves to Belmont, Massachusetts, where Joan's interest in the Cambridge, Massachusetts, folk scene grows as she begins visiting the local
coffeehouses. Her first album for Vanguard Recording Society was released in
1960 and made her a huge success. She
also recorded in 1961 and released her second Vanguard album, Joan Baez, Volume
Two, and embarked on her first national concert tour. Also in 1961 , Baez
met folk singer and songwriter Bob Dylan at Gerde's Folk City while he was the opening act for John Lee
Hooker. Baez's first impression of Dylan held that "he was not
overly impressive. He looked like an urban hillbilly, with hair short
around the ears and curly on top" (And a Voice 83-84). A
romance between the two was rumored but never confirmed. The album Joan Baez in
Concert was released in September, and she was the subject of the November 23,
1962, TIME Magazine cover
story because of her role in the human rights movement. The magazine featured a biography of Joan’s
life and her statement “my devotion to non-violence and social change
formed long before I picked up a ukulele and will go on until I fall into the
grave” (TIME, 1993). After touring
together for a few years as the King and Queen of Folk, Dylan and Baez
eventually parted ways, and she fell in love with draft resistor and activist
David Harris. Baez married Harris in 1968, and the couple toured the
country on a joint concert and lecture series advocating draft
resistance. The next year, Baez gave birth to Gabriel Earl, and her
husband began serving a three-year prison sentence for draft resistance.
Baez's views against the Vietnam War
eventually led promoters to purposely censor and mistranslate her words during
a 1967 concert in Japan. Due to her radical stances against war, police also threw Baez
in jail during the sixties for demonstrating against the draft and encouraging
the nonviolent movement. After the Vietnam War, however, Baez not only
continued to write music for the anti-war and civil rights movements, but she
fought as hard as ever to bring humanity into political life.
Awards and Titles
Baez officially wrote and co-wrote 76
original songs (Lutzow 2000). She had 8
gold albums, 6 Grammy nominations, and one gold single. More importantly, Joan holds many titles that
made the youth culture of the 60’s adore her and follow in her footsteps. Joan holds two doctorate degrees of humane
letters and is the founder of the Institute of Non-Violence. Baez is the
founder and President of Humanities International Human Rights Committee, and
won the Lennon Peace Tribute Award in 1982.
Her political protests even lead to a Joan Baez Day in Atlanta, Georgia and, Santa Cruz, California. Joan also
won many peace awards for her strong protests against the Vietnam War.
Impact
Jade is a poem recently written by Joan Baez. Its lyrics truly explain her success in the
popular culture of the 1960’s. The youth
of this generation valued Joan’s ability to relate to their struggles of
independence, and her ability to speak her mind regarding her morals and ideals
about America.

JADE
There is a dog death heat
on a rippling desert
Somewhere
in the tambourine
song shout procession
is a child sweat face
of darkness
The boy
like a bridled animal
not questioning
the longing in his throat
or the extra beat of his heart
floats over the dunes
towards friendly night
The bridle is his mother
the whip is his father
the boy is the genius
they will never know
His jeweled eyes are green
not because his mother
let herself be had
by a raving Jew
in a sand dune
But because this boy's eyes
are filled with Jade
from an unknown sea
which
occasionally
catches a ray of thought
and for a moment
the boy's fugitive eyes
reflect the dawning
of the rage
it will take
to send him
unbridled
like a dervish
into the dance
of life
love
and learning
By Joan Baez
Sources and Links
Baez, Joan. And a Voice to Sing With. New
York: Summit
Books, 1987.
Lutzow, Nancy. "Joan
Baez Chronology." Joan Baez Web Pages.
http://baez.woz.org/
http://www.vanguardrecords.com/Baez/Home.html