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Term Papers
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The prospectus should be 3-5 pages, typed, double-spaced,
stapled. The prospectus should identify the substantive topic you
will be writing about for your term paper and should also begin to outline
the theoretical framework with and through which you will examine that
topic. What, then, will the final paper analyze? how widespread is the
phenomenon you will address (what does the research say)? what has been
written about your topic? by whom? what do they say? (Note: at this relatively
early stage in the semester, it may be too soon to do more than "outline"
your theoretical perspective. I will give you fairly extensive feedback
on the prospectus, making suggestions, etc.
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Given the relative shortness of the assigned paper (10-15 pp., including
references and notes), I would encourage you to keep your theoretical framework
and your topic as closely focused as possible. Use the theory, or a part
of the theory, and make explicit connections between the theory and your
subject matter. You must have a sociological focus to the paper.
It doesn't have to incredibly complex or nuanced, but you must examine
an art-related topic, and you must examine that topic from a sociological
perspective.
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There
is a natural tendency, especially in an interdisciplinary course such as
this, to try to cover all of the possible related ideas. Avoid this. The
best papers are invariably those that develop a detailed analysis of a
few major themes, rather than a superficial analysis of a lot of themes.
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Please note: I expect you to incorporate and deal with the comments and
suggestions that I will make on your prospectus. My comments are designed
to help you write a better, and a sociological, paper. Every year when
I teach this course, at least a couple of students ignore the prospectus
comments. This is a bad idea -- not because I expect you to write
the paper I tell you to write, but because my remarks point to flaws
-- major or minor -- in the paper you have proposed. At this point
in your college career, you can fairly be expected to write a logical,
coherent, and persuasive argument, in whatever course you are taking. My
comments on the prospectus are aimed towards helping you to do that.
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Organization of the Paper, Style, References: Conventional sociological
journal articles can give you a model to work from for preparing your own
papers; think about the way they are organized, the way the authors structure
and present their arguments, and use that to guide you. At a more specific
level: (A) Your papers should start with 1-3 pages that identify the topic
and then explain the specific theoretical approach you will use.
EG: "This paper will comprise an analysis of [e.g.,] Dada as an example
of what Kadushin calls a movement circle; I will explore the ways that
the Dada movement both fits Kadushin's views and the ways that it did not.
According to Kadushin, ..." etc. Then lay out the specific concepts you
will use. Then, be sure to use them. There's an old saying about
how to organize social science papers: (1) tell 'em what you're going to
tell 'em, (2) tell 'em, (3) tell 'em what you told 'em. Simplistic, but
helpful. (B) Style: final papers should be edited. Although the
sociology in the paper is most important, grammar, punctuation, and spelling
all count. Good ideas cannot come across in a sloppily organized
and poorly written paper. (C) References: In the text of the paper
itself, all direct quotes from other sources must be put in quotation
marks and cited, either in a footnote or endnote or in parentheses next
to the quoted passage, with the name, date, and page number where the original
quote appeared (EG: Crane 1987, p. 57). Paraphrases must also be cited
(EG: see, Crane 1987, pp. 32-36). The paper must include a references
section, which lists ONLY the materials you actually REFER to IN the
paper. Do NOT give me a bibliography -- a list of books and articles
that might be related to your topic. All articles, books,
etc., actually referred to in the paper must be cited at the end
of the paper. Use the following model, for the appropriate citation of
references:
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Article: Lopes, Paul. 1992. "Innovation and Diversity in the Popular
Music Industry, 1969 to 1990." American Sociological Review 57:
56-71
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Book: Wolfe, Tom. 1976. The Painted Word. New York: Bantam
Books.
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Article or chapter IN a book: Schiller, Herbert. 1989. "The Corporate
Capture of the Sites of Public Expression." Pp. --- in Culture, Inc.
New York: Oxford.
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Presentations:
(Note: Depending on enrollment and
class type, presentations will not always be part of the required work for
the course, but I'm including the information here because they sometimes
are required. See the
course requirements
page to determine if they are required for
the specific class in which you are enrolled.) |
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Your presentations should be a short summary of your term papers. "Short"
means exactly that: you will each have 15-20 minutes AT MOST to
present your papers. I will time each of you and will let you know when
you have 1-2 minutes left to summarize your talk. I will also cut you off,
whether you are finished or not. I am not doing this to be hard on you.
Rather, I'm doing it for two reasons. First, it's necessary if everyone
is to get a chance to present. Second, this agenda is actually very common;
graduate seminars and professional meetings operate within basically the
same time frames. So, this is a chance to develop skills for the future:
in or out of academia, the ability to present your ideas clearly and concisely
is highly valued and valuable.
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So, what does all of this mean for you?
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practice and time your presentations: a few dry runs will help.
If you find yourself running over the allotted time, rethink your presentation.
Ask yourself what can be cut out; what is the most interesting aspect
of your research?
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state your theoretical framework, and describe how you did your research
(and on what topic) as briefly as possible
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leave yourself as much time as possible to present
your findings
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again, focus on the most important and interesting points. If you overpack
your presentation, you will probably be forced to scramble when you are
actually doing it. (Time goes more quickly than you expect when you are
doing a public presentation of some kind.) |
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pick
two or three KEY points and try to develop those in some detail: the
simpler you keep it, the less likely you are to get rattled; the simpler
your presentation is in its design and focus, the greater your chances
of avoiding the problem of winging it, having to shuffle papers to find
your key ideas, etc.
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If you have handouts or visuals (or audio), so much
the better. These help to illustrate your argument,
and they give the audience a "map" to follow. They
also shift the focus away from you to some extent.
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This raises another issue. The simple truth is that
many of you will be a little nervous (natural
extroverts have a better time with this). Some helpful
points to remember.
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You're not alone: Many people who get up in front of audiences for a living
(Carly Simon, e.g.) never fully get over being nervous. For those of us
who get nervous, the point is not to try to eliminate it but to use it.
Nervousness, at the risk of sounding New Age-y, is energy, after all. |
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Probably more helpful to bear in mind is that your audience is on your
side. It may sound trite, but it's true: they want you to do well;
they are both sympathetic and empathetic.
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Preparation is the best antidote to nervousness. Practice! The more
familiar and comfortable you are with the material, the more you will be
able to relax. |
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