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Important Information
Office Phone: 910-962-7962 (call only during office hours)
Home Phone: 910-395-5190 (anytime between 8:00am and 9:00pm; if unavailable, leave voice mail and number where you can be reached)
Office: Cultural Arts Building, 2nd Floor, room 2010
Office Hours: Mon/Wed. 9:00-10:00am; Tues/Thurs. 2:00-3:00 by appointment; or by appointment at a mutually convenient time. If
you wish an appointment, please see me before or after class.
Email address: (myersj@uncw.edu)
[on campus just: (myersj) will get you there]. I encourage you to
communicate via E-Mail. I check my mail several times daily. You may
get a quicker answer to your questions this way.
Instructors Availability:
Professors universally abhor the question "What did I miss?" If
you miss class, please ask other students in class for information about
missed material. After you have made the effort to get notes and do the
reading for a missed lecture/discussion, then I will be happy to have
you come talk with me.
Attendance
and Classroom Policies:
Attendance will be taken before each class. Your attendance and active participation in class are expected (see "Absences" below).
This means attending every class, arriving on time, and staying for the
full class period. The minimum requirement is
attendance, but full participation is necessary to earn that most sought
after grade, the A. "Full participation" carries the
expectation of asking thoughtful questions, making insightful comments on
readings, reacting to peers' comments and bringing in related ideas from
your experiences outside the class. In short, you are expected to attend
class, actively participate in class discussions,
and complete assignments when they are due.
In-class exercises and class discussion can not be made-up out of
class, so consistent attendance is absolutely critical to getting the most
out of this course.
1)Late arrival and early departure are
discourteous, adversely affect your ability to contribute to the class,
and will affect your final grade.
2) It is rude to leave and return to class. Please use the restroom before class begins.
3) NO FOOD IN CLASS. Drinks with tight lids or screw tops are permitted.
4) Cell phones and pagers must be turned off during class.
Freedom of expression is encouraged. Courteous argument is
welcome (The Romans called it "disputation" from the Latin disputare:
"to reckon," "to discuss." To dispute is to
explore opposing viewpoints, to debate, to question, to discuss with
passion, but not to dominate the discussion or "inflict"
your opinions on others. Tolerance for the ideas of others who disagree
with you is a sign of maturity and an indication of a true desire to
learn. Rudeness and discourteous behavior stifle debate and disrupt
learning, and therefore are intolerable
Absences: This is a small class, so
you will be missed if you don't show up.Two unexcused absences/cuts
during a semester are standard for a Tuesday/Thursday class. You are
expected to save them for illness or emergencies. Absences beyond the
three allowed will require some form of documentation to be excused.
Five points will be deducted from your final point average per absence
beyond the three allowed.
Late Work:
Work is late anytime after the end of the class on the day it is due.
Unexcused late submission of work will result in the lost of one letter
grade per day. Submission of written assignments by email attachment
is unacceptable. Sample excuses which don't work: 1) My
printer cartridge ran out of ink at midnight last night; 2) My computer
crashed and I only had the copy of my paper on the hard drive; et cetera.
If health or personal problems arise that necessitate your missing
class, please contact me prior to the missed class or as soon as possible
afterwards. Except in extreme emergencies, any extension of a
deadline must be approved by the professor IN ADVANCE. You are responsible
for finding out from me or a classmate any assignments, announcements,
instructions, etc., that were discussed in class.
Midterm and Final Examinations:
PLEASE DO NOT MAKE ANY ARRANGEMENTS OR
COMMITMENTS WHICH CONFLICT WITH YOUR OFFICIAL
EXAM TIMES. ONLY EXTREME DOCUMENTED* EMERGENCIES WILL BE
CONSIDERED AS REASONS FOR MISSING THE SCHEDULED
EXAMS. NO MAKE-UPS ARE POSSIBLE WITHOUT SOLID DOCUMENTATION.
*This does not include (but is not limited to) such things as attending
a relative's wedding, going to a sibling's graduation, or having airline
tickets to an exotic foreign destination (this has happened!).
FINAL EXAMINATION DATE
Tuesday, May 8, 3:00-6:00 PM
ACADEMIC HONOR
CODE
"The University of North
Carolina at Wilmington is committed to the proposition that the pursuit
of truth requires the presence of honesty among all involved. It is
therefore this institution’s stated policy that no form of
dishonesty among its faculty or students will be tolerated. Although
all members of the university community
are encouraged to report occurrences of dishonesty, each individual is
principally responsible for his or her own honesty." (Above is an
excerpt from the "Student
Code of Life" in the UNCW Student Handbook. All students are encouraged
to read all of section V, "Academic Honor Code" for definitions of
plagiarism, bribery,
and cheating; and the procedures for reporting and adjudication of any
activities involving student dishonesty).
UNIVERSITY STATEMENT ON ACADEMIC EXPECTATIONS FOR STUDENTS
"In choosing UNCW, your have
become part of our community of scholars. We recognize that the UNCW
learning experience is challenging and requires hard
work. It also requires a commitment to make time available to do that
hard work. The university expects you to make academics your highest
priority by dedicating
your time and energy to training your mind and acquiring knowledge.
Academic success in critical thinking and problem solving prepares you
for the changes and
challenges you will encounter in the future. Our faculty and academic
support resources are readily available as partners in this effort, but
the primary responsibility
for learning is yours."
DISABILITY ACCOMMODATION
As course instructor I will
strive to make appropriate accommodations for students with
disabilities, as specified in federal regulations. If you have a
disability and
need accommodation, please follow this procedure. First, contact and
register with the office of Disability Services in Westside Hall
(x3746). Second, obtain a copy
of your accommodation letter, and then make arrangements to speak with
me. Assistance will gladly be provided based on the recommendations of
Disability
Services and our mutual agreement.
COURSE
FORMAT
All 200 level art history
courses are surveys of art with an emphasis on architecture, graphic
and decorative arts, painting, and sculpture as these media are
appropriate to the historical period under discussion. These are
essentially a combination of lecture and discussion. Individual
questions and class discussion are
encouraged at all times.
COURSE
PHILOSOPHY
A knowledge of the arts is an
essential part of every individual's education, and is basic to a
proper liberal arts education. In the broadest definition, the FINE
ARTS
include all of the media listed above in "Course Format," as well as
music, dance, and many forms of literature. In earlier times, the
boundaries between these categories of art were
clearly defined, but in the 20th Century these divisions have become
blurred as artists experiment with re-combinations and new combinations
of the traditional
forms. Nevertheless, in whatever time or context, the arts
constitute a major component of the creative side of our lives as human
beings. They are an expression of the
experience of the world in which we live, and may bring deep emotional
and intellectual satisfaction to those who make art, and those who take
the time to respond
to it.
One writer has defined art as "a product of man which has a defined
form or order and communicates human experience, [and] is affected by
the skilled control of
the materials used in its construction to project the formal and
communicative concepts that the artist wishes to present "(Nathan
Knobler, The Visual Dialogue,
p.39). This is a very simplified definition, but it does cover most of
the bases -- 1) product of woman(man), 2) defined form or order, 3)
skilled control of the materials, 4) projection of formal and
communicative concepts. Art is clearly about COMMUNICATION, and
requires knowledge of a specialized language. This course will
teach that language so you may better understand what the artist is
trying to communicate to you, her/his audience.
Art is everywhere you look--in the architecture of your home, the
landscaping of your yard, the pictures on your walls, the music to
which you listen. Life without art would be lackluster and
boring. This course is designed to expose you to one aspect of the
arts--traditionally
known as the VISUAL ARTS, and composed of the categories of
architecture, painting, sculpture, graphic and decorative arts listed
under the "Course Format"
section. The ultimate purpose of this course is to provide you with an
appreciation for art through its study in a cultural and historical
context. It is my hope that you
will leave this course with a growing and lasting appreciation of the
visual arts which will lead to a lifelong exploration and enjoyment of
all the arts. Whether
immediately apparent or not, a knowledge of the history of art may
enhance your experience of contemporary art forms such as music videos
and commercial
advertising. And, it might just make you a lifelong lover of the visual
arts in all their manifestations. In the latter case, Oh joy! Oh
rapture! Your professor will move one step closer to accomplishing his
life's work!!!!
USING THE
DIGITAL IMAGE DATABASE
1. Accessing your
WebMail Account: You must
use your UNCW WebMail address to access the Digital Image Database,
which is where your lectures are located for review purposes. This
consists of your WebMail address ( your initials followed by the last
four letters of your I.D. or four numbers in a random order) followed by
your password. If your account is new, it has already been set for you,
and your password is your nine number I.D. If you already have an
account, you have probably reset your I.D. to something else. (If you
have forgotten it, you can change it by following directions on the
access page).
Note Well: If you have not used your WebMail recently,
your password may have expired; or if you have never accessed your UNCW
account there are a couple of ways of dealing with this:
a) You can go to the Computer
Help Desk (HO201C) and pick up a WebMail handout.
b) You may call the Computer Help Desk (962-4357) and ask for
help.
2. Accessing the Database: Go to
the following web address
(did.uncw.edu/did) and you will see two spaces for entries. In the
first space, type your WebMail address or "userID (e.g.: jwm7788). In
the second space type your UNCW WebMail password.
3. Accessing the
Lectures: Under “Slideshows” you may select your instructor from a
drop-down list labeled “Slideshow Author,” and do the same thing for the
“Folder,” if the instructor has organized by course. If not, “MDID1
Slideshows” should give you a complete list of the instructors shows.
4.
Slideshows: After you select a particular slideshow, you may
either click on “Print View” or “Flash Cards.” Either function may be
used for study, or may be printed out in
hard copy for study purposes.
TEXT
Required Text: Davies, et al., Janson's History of Art, The Western Tradition, Seventh Edition. 2007.
NO EARLIER EDITION WILL DO.
WRITTEN ASSIGNMENTS AND EXAMINATIONS
1. TWO (2) EXAMS will be given. The Midterm will be
scheduled on Thursday, March 1;
and the final exam on Tuesday, May 8, 3:00-6:00 pm (100 points each)
a. BOTH OF THE EXAMS may consist of 1)slide identification,
2)slide discussion and short essay questions, and 3) objective
questions; or any combination of the foregoing.
b. FINAL EXAM will be
scheduled for three hours. Material for the final may be
drawn from the curriculum of the whole course, but with an emphasis on
the material from the last half of the course.
2. FIVE SHORT QUIZZES will be given. The quizzes
are all scheduled and appear in the "Reading Assignments" section
in the initial course menu.
If a quiz date needs to be changed, it
will be announced at least one week in advance. The quizzes will
last 10-15 minutes, and will consist of the types of questions
discussed above. The lowest quiz grade will be dropped at the
end of the semester. (20 points each)
3. SHORT WRITTEN ASSIGNMENTS The number will vary depending on class need. They will be designed to make you
think about the material and make connections among works discussed
in class or in the reading. Critical thinking is the key to
success on these assignments. The lowest grade on an article
summary will be dropped at the end of the semester. (10-20 points each)
NOTE WELL: If a quiz or
writing assignment is missed it will constitute the "lowest
grade" for that component, and will be dropped from the final
average. Only legitimate excuses will be accepted for make-ups
of missed assignments or their elimination from from your average.
Return to Beginning of Syllabus
GRADING
Your grade for this course is entirely performance-driven, and so is
based on the quality of your work and participation. This means that you
are not in direct competition
with each other for grades. Instead, you are in competition with yourself
in terms of how well you learn and apply the material from the course.
The number of points you earn on attendance, participation, and
assignments will be averaged at the end of the semester to arrive at a
percentage which will be used to compute your final letter grade.
| **********GRADING********** |
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Assignments
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Point Value
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Percentage of Final Grade
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| Quizzes (4 @ 20 points per) |
80
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15.6%
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| Written Assignments (10-20 points each) |
90
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17.6%
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| Midterm Exam (100 points) |
100
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19.6%
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| Final Exam (100 points) |
100
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19.6%
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| Total Points |
510
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100%
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Return to Beginning of Syllabus
*****READING ASSIGNMENTS*****
This calendar is meant to serve only as a guide to topics and readings for the semester, and is subject to change. |
*all page numbers refer to readings in JANSON
** Reading Assignments should be completed prior to
the date listed, and include ALL boxed items in the text.
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WEEK ONE:
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| Thursday, Jan 11:
Introduction to the course |
Syllabus and Course Requirements
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| WEEK TWO: |
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| Tuesday, Jan. 16: Introducing Art |
*pp. xxi-xxxi Introducing Art |
| Thursday, Jan. 18: Prehistoric Art |
pp. 1-19
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| WEEK THREE: |
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| Tuesday, Jan. 23: Ancient Near East |
pp.21-33
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| Thursday, Jan. 25: Ancient Near East
Continued |
pp.34-45 |
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WEEK FOUR: |
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| Tuesday, Jan. 30: Old and Middle Kingdom Egypt |
QUIZ ONE: Prehistoric and Ancient Near East
pp.47-62 |
| Thursday, Feb. 1: New Kingdom and Late Egypt |
pp. 62-77
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| WEEK FIVE: |
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| Tuesday, Feb. 6: Aegean Art: Cycladic and Minoan |
pp. 77-92
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| Thursday, Feb. 8: Aegean Art: Mycenaean |
pp. 92-99
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| WEEK SIX: |
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| Tuesday, Feb. 13: Greek Art I |
QUIZ TWO: Egypt and Aegean
pp.101-120
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| Thursday, Feb. 15: Greek Art II |
pp. 121-140
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| WEEK SEVEN: |
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| Tuesday, Feb. 20: Greek Art III |
pp. 141-159
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| Thursday, Feb. 22: Etruscan Art |
pp. 161-175
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| WEEK EIGHT: |
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| Tuesday, Feb. 27: Review for Midterm |
In class review
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| Thursday, March 1: |
MIDTERM EXAMINATION |
| SPRING
VACATION: MARCH 3-11 |
Classes resume, Monday, March
12 |
| WEEK NINE: |
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| Tuesday, March 13: Early Rome and the Republic |
pp. 177-191
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| Thursday, March 15: The Early Empire |
pp. 191-209
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| WEEK TEN: |
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| Tuesday, March 20: The Late Empire |
pp. 209-229
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| Thursday, March 22: Early Christian Art |
pp. 235-252 |
| WEEK ELEVEN: |
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| Tuesday, March 27: Byzantine Art |
QUIZ THREE: Roman and Early Christian
pp. 253-275 |
| Thursday, March 29: Early Medieval I |
pp.311-325
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WEEK TWELVE: |
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| Tuesday, April 3: Early Medieval II |
pp. 325-343
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| Thursday, April 5-Sunday, April 8: Religious Holidays |
Classes resume, Monday, April 9 |
| WEEK THIRTEEN: |
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| Tuesday, April 10: Romanesque I |
pp. 345-365
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| Thursday, April 12: Romanesque II |
pp. 365-383
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WEEK FOURTEEN: |
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| Tuesday, April, 17: Gothic I |
QUIZ FOUR: Byzantine through Romanesque
pp. 385-400
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| Thursday, April 19: Gothic II |
pp. 400-415
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WEEK FIFTEEN
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| Tuesday, April 24: Gothic III |
pp. 415-431 |
| Thursday, April 26: Review for the Final Exam |
Come with questions re: final exam
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Tuesday, May 8, 3:00-6:00 pm |
FINAL EXAM |
Return to Beginning of Syllabus
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EXAMPLES OF QUIZZES AND EXAMS
I. Identification Quiz
ART
_____ NAME_______________________________
SECTION_____ DATE _________/__________/___________
SLIDE IDENTIFICATION (20 POINTS)
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TITLE (with
location, if a work or architecture,
or location is part of title
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PERIOD
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STYLE
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13.
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Return to Beginning of Syllabus
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II. Comparison Essay:
ART _______ Section ____
DATE ___/___/____
NAME__________________________
I. Identify the two works shown:
(1)
LEFT:__________________/__________________________________________/________
Artist
Title
Date
(1)
RIGHT:________________/__________________________________________/________
Artist
Title
Date
II. In essay form (no lists) compare these
works with regard to the factors which contribute to the
ATotal Work of Art@
(HISTORICAL POSITION, PURPOSE, ICONOGRAPHY, and STYLE). (18)
Analyze critically what makes these works important
examples of their type and time; and what apparent similarities and
differences you see in these two works (Simple description of the
works or the subject matter is not enough to earn full credit).
Relate your discussion to the four major factors of
the ATotal Work of Art@
and give reasons for your position. USE THE SPACE BELOW AND THE BACK OF
THE PAGE FOR YOUR ESSAY.
Return to Beginning of Syllabus
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III. Essay Without Slides:
In
essay form (no lists) discuss the development of Greek vase painting
from the Geometric period to the Late Classical period. HINTS: What
stylistic elements in each period might be used to show connections
from one to the next? What elements are different and why? And, how
might choices in the way subject matter is depicted reflect similar
choices in other media (sculpture and painting)?
Be sure to choose, identify, and use examples of the
works of each period in your discussion to illustrate important
points.
Use the various factors which contribute to the “Total
Work of Art” (HISTORICAL POSITION, PURPOSE, ICONOGRAPHY, AND STYLE) as they help
to organize and clarify your discussion. USE THE SPACE BELOW AND THE BACK
OF THE PAGE FOR YOUR ESSAY.
Return to Beginning of Syllabus
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