51st ANNUAL MOUNTAIN INTERSTATE FOREIGN
LANGUAGE CONFERENCE
University of North Carolina at Wilmington
October 11-13, 2001
CONFERENCE PROGRAM
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Conference at a Glance
Thursday
Afternoon
1. Film I. European Cinema: (Re)constructing Identities I
2. Latin American I. Peruvian and Venezuelan Literature
3. French I. Francophone I: Listening to the Maghreb
4. Film
II. European Cinema: (Re)constructing Identities II
5. Hispanic
I. Food for Special Thought: Images of Consumption…
6. Spanish I. Literature Before the Nineteenth Century
7. Hispanic
II. El personaje literario mujer…
8. Study Abroad I
9. Latin American II. Colonial
Spanish American Literature
10. Latin American III. The Theatre of Carlos
Canales
11. French II. Seventeenth Century Literature
MIFLC EXECUTIVE MEETING
5:00
WINE AND CHEESE RECEPTION
5:30-7:00
DRAMATIC READING: Bajo un fuego celestial by Carlos Canales
7:15
Friday
Morning
12. Latin American IV. Theatre of the Southern Cone
and Beyond
13. Spanish II. Twentieth Century Culture and
Literature
14. Latin American V. Central American Literature
15. Latin American VI. Representation, Identity,
and Gender
16. Hispanic Linguistics I
17.
Latin American VII. La novela negra en América Hispana I
18.French III. Francophone II
19. Comparative Literature. Literature Through Time
20. Film II. La mirada
femenina y el melodrama del cabaret…
22. Spanish III. The Spanish Civil War
23. Pedagogy I.
Online Instruction Versus Classroom Instruction
24. Latin American VIII.
Theatre
25. Hispanic III. Chicano Literature
26. German I. Genres in German Literature
27. Spanish IV. Women Poets
28. Pedagogy II. Foreign Language Challenges
Friday
Afternoon
29. Hispanic IV. Theatre Beyond the Borders of
Latin America
30. Latin American
IX. Literature of the Southern Cone
31.
Hispanic V. Latino/a Literature: Negotiating Sexuality and Ethnicity…
32. Spanish V. Twentieth Century Prose
33. Visual Representations II. Representations in French Literature
34. Latin American
X. La
novela negra en América Hispana II
35. Hispanic Linguistics II. Linguistics and
Literature
36. French IV. Perspectives on Twentieth Century France
37. Pedagogy III. Spanish
38. Latin American
XI. Theatre of the Southern
Cone
39. Spanish VI. Twentieth Century Theatre
PLENARY
SESSION: Keynote Address by Professor John Kronik
3:00
40. Latin American
XII. Theatre of Central America and the
Caribbean
41. Latin American
XIII. Poetry
42. Latin American XIV
43. Spanish VII. Carmen Martín Gaite: In Memoriam
44. French V. Nineteenth Century Literature
45. Hispanic Linguistics III
46. Pedagogy IV
47. Study Abroad II
CONFERENCE BANQUET
7:30-9:30
Music by Tuppence
Simon Spalding and Sara Kirtland)
Saturday Morning
48. Latin American
XV. Sabina Berman and Jesusa
Rodríguez
49. Latin American
XVI. Perspectives on Latin American Women Writers
50. Spanish VIII. Nineteenth Century Literature
51. Hispanic Linguistics IV
52. Visual Representations III. Representations in Literature and the
Media
53. German II. Distance Education Panel
54. Pedagogy V. Using the Web
55. French VI. Perspectives on Literature, Film, and Linguistics
56. Latin
American XVII
57. German III. German Literature
58. Latin American XVII. Mexican
Theatre
59. Latin American XX. Poetry
60. Spanish IX. Nineteenth Century Literature
61. Medieval Literature: Medieval Literature and the Marvellous
62. Pedagogy VI. Technology Workshop Session
All numbered sessions will be held in Lakeside Hall.
THURSDAY AFTERNOON
Thursday
1.
FILM I. European Cinema: (Re)constructing
Identities I
Organized
and chaired by María Camí-Vela, University of North Carolina at Wilmington
12:30
Subject in the Margins: Social Cinema in France in the ‘90’s
1:00
German Images: Memory and National Identity
Thursday
2.
LATIN AMERICAN I. Peruvian and Venezuelan Literature
Chaired
by Peter Thomas, University of North Carolina at Wilmington
1:30
Antropocentrismo, etnocentrismo y androcentrismo en El mundo es ancho
y ajeno de Ciro Alegría
Rossana Pattroni, University of
North Carolina at Chapel Hill
2:00
Contemporary Peruvian Women Writers: The Ill-fated Revolutions of Space
2:30
Arturo Uslar Pietri: Síntesis del alma venezolana
Teresita J. Parra, University of North Carolina at Wilmington
Thursday
3.
FRENCH I. Francophone I: Listening
to the Maghreb
Organized and chaired by Jennifer DeVille, University of North Carolina
at Chapel Hill
1:30 Roaming and Remembering in Assia Djebar’s Oran,
langue morte
Jennifer
DeVille, University of North Carolina at Chapel Hill
2:00
Le sang: source de fierté, source de honte dans La Voyeuse interdite de
Nina Bouraoui
Elisabeth Marie, University of
North Carolina at Chapel Hill
2:30
Malika Mokeddem’s Des rêves et des assassins and Assia
Djebar’s “La femme en
morceaux”:
The Question of Violent Unmediated Polarity
Ioanna Chatzidimitriou,
University of North Carolina at Chapel Hill
3:00 Sur les traces d’une féminité refoulée: exploration de la part féminine
chez les auteurs maghrébins
Taieb
Berrada, University of North Carolina at Chapel Hill
Thursday
4. FILM
III. Eurpoean Cinema: (Re)constructing Identities II
Organized and chaired by María Camí-Vela, University of North
Carolina at Wilmington
2:00 Cine de la transicón democrática española: Desafíos y
modelos
Javier Hernández, Universidad Europea de Madrid
2:30 (En)gendering Cinema: Women and Film in 1990’s Spain
María Camí-Vela, University of North Carolina at
Wilmington
Thursday
5.
HISPANIC I.
Food for Special Thought: Images of Consumption in Hispanic Literature
Organized by Delmarie Martínez, University of Central Florida
Chaired by Eugene B. Hastings, Morehead State
University
3:00
I Can See Myself!: The
Self-Perception of Female Characters in Latin American Prose Reflected in the
Foods They Prepare, Serve and Eat
Alice Korosy, University of Central Florida
3:30
The Discourse of Hunger in Galdós’ Misericordia
Lisa Nalbone, University of Central Florida
Thursday
6.
SPANISH I.
Literature Before the Nineteenth Century
Chaired by R. Terry Mount, University of North Carolina at Wilmington
3:00 El disfraz carnavalesco de Dulcinea
Osvaldo Parrilla, Barton College
3:30 The “Eye” of Power, Truth, and Writing in Luis Gutiérrez’s Cornelia
Bororquia
Thursday
7.
HISPANIC II. El personaje literario mujer como metáfora de su condición
real
Organized
and chaired by Eliana Cazaubon Hermann, Shenandoah University
3:00 Cuestiones de identidad: El caso de Eleanora Ellis en El cielo
dividido de Reina Roffé
3:30 Escritoras mexicanas de los 80, cronistas de
una transición
anunciada
María-Luisa Sánchez, Frostburg
State University
4:00 Eva Perón: personaje e historia
Mirta
Corpa Vargas, University of California-Riverside
4:30 Identidad, memoria alternativa y mermelada de fresa: Una lectura genealógica
de Los altillos de Brumal de Cristina Fernández Cubas.
Laura Trujillo, University of
Tennessee, Knoxville
Thursday
8.
STUDY ABROAD I
Chaired by James P. McNab, University of North Carolina at Wilmington
3:00
Normandy Scholars at the University of Tennessee: A Cross-Disciplinary
Experience that Works
John B. Romeiser, University of Tennessee,
Knoxville
3:30
¡Ánimo! Walking the Camino de Santiago with Students
4:00 Cultural and Social Aspects of Study Abroad Programs
Thursday
9. LATIN AMERICAN II. Colonial
Spanish American Literature
Organized
and chaired by Joann McFerran Mount, University of North Carolina at Wilmington
3:30 Space and Culture: Engravings and Woodcuts in
Seventeenth-Century Devotional Texts
Sylvia
Santaballa, University of North Carolina at Wilmington
4:00 The Image of the Curandero in Spanish
American Literature
Ann
Ortiz, Campbell University
Thursday
10.
LATIN AMERICAN III. The
Theatre of Carlos Canales
Session
in Honor of George Woodyard
Organized
by Jacqueline Bixler, Virginia Tech
Chaired
by Deborah J. Cohen, Slippery Rock University
4:00
Entrevista a Carlos Canales
Georgina
Whittingham, State University of New York at Oswego
4:30
El cielo como soborno en el teatro de Carlos Canales
Jesús
Freire, State University of New York at Oswego
Thursday
11.
FRENCH II. Seventeenth
Century Literature
Chaired by Susan Crampton,
University of North Carolina at Wilmington
4:00
Le Tartuffe de Molière: l’hôte qui n’est qu’un parasite
Fátima E. C. Buchert,
University of Tennessee, Knoxville
4:30
Alexandre Hardy – La force du sang:
Qui le coupable?
Catherine Lerat, Furman
University
Thursday
5:00 MIFLC EXECUTIVE MEETING
Lakeside Hall 127
5:30-7:00
WINE AND CHEESE RECEPTION
Warwick Center Ballroom
Music
by William Strickland, guitarist
7:15 Bajo
un fuego celestial by Carlos Canales: Dramatic Reading
Introduced by Denise DiPuccio, University of North Carolina at Wilmington
FRIDAY
MORNING SESSIONS
Friday
12.
LATIN AMERICAN IV. Theatre of the Southern Cone and Beyond
Session in honor of George Woodyard
Organized by Jacqueline Bixler,
Virgina Tech
Chaired
by Adam Versenyi, University of North Carolina at Chapel Hill
8:30 The Actor Appears: Victoria Ocampo’s
Aesthetics of Interruption
Vicky
Unruh, University of Kansas
9:00 Global Culture, Canon and Comics in the Theatre of Marco Antonio de la
Parra
Elsa
Gilmore, U. S. Naval Academy
9:30 Service Learning: the World Premiere of Una
rana croar by Hugo Salcedo
Iani
Moreno, Salve Regina University
Friday
13.
SPANISH II. Twentieth Century Culture and Literature
Chaired
by Osvaldo Parrilla, Barton College
8:30 Federico
García Lorca and the Harlem Renaissance
Francisco
Javier Sánchez, University of North Carolina at Chapel Hill
9:00
La transición española a través del cancionero popular español
9:30 Hacia una poética del perdedor: Joaquín Sabina y la escritura en los márgenes
de la socìedad
Santiago García-Castañón,
Georgia College and State University
Friday
14.
LATIN AMERICAN V. Central
American Literature
Chaired
by Peter Thomas, Univesrity of North Carolina at Wilmington
9:00
Social Novelist, Social Playwright: Ramón Amaya Amador’s La peste
negra
Theodore
H. Parks, Pepperdine University
9:30
Conscience as a Path Beyond Rebellion in Manlio Argueta’s Un día en
la vida
Peter
G. Murphy, University of South Carolina, Union
10:00
Contesting Capital: Violence and Alterity in Recent Costa Rican Fiction
Laura
H. Barbas Rhoden, Wofford College
10:30
Break
11:00
Política del recuerdo: la reconstrucción del sujeto femenino
revolucionario en Las cárceles clandestinas de El Salvador
de Ana Guadalupe Martínez
Miiren
Edurne Portela, University of North Carolina at Chapel Hill
11:30
La politización de la memoria en el testímonio Nunca estuve sola
Deanna
Mihaly, Emory and Henry College
Friday
15.
LATIN AMERICAN VI. Representation, Identity, and Gender
Organized
and chaired by Karina A. Bautista, University of Massachusetts at Amherst
9:00 Construcción de la identidad
mestiza en la Historia de Tlaxcala de Diego Muñoz Camargo
Jeandelize González-Rivera,
University of Massachusetts
9:30 El Amor: sentimiento innato o construcción de género. Análisis de
su concepción en la obra de João de Guimarães Rosa y Clarice Lispector
Karina
A. Bautista, University of Massachusetts at Amherst
Friday
16.
HISPANIC LINGUISTICS I
Chaired by John Stevens, University of North Carolina at Wilmington
9:00
Is the Subjunctive Going the Way of the Dinosaur?
Maríadelaluz Matus-Mendoza, Drexel University
9:30
Revisión del empleo de las formas en -ra
y en -se del imperfecto de subjuntivo con valor de indicativo en
el español periodístico actual de España: proyecto de estudio
Kern L. Lunsford, Lynchburg College
10:00
El verbo en la norma culta puertorriqueña
Carmen N. Hernández, Universidad de Puerto Rico
10:30
Break
11:00
Uso del imperfecto en el español de Houston
Sonia Dupré, University of Houston
11:30
Expresión del tiempo futuro entre los californios del siglo XIX:
Estudio de sociolinguística histórica
Alejandra Balestra, University of Houston
Friday
17.
LATIN AMERICAN VII. La novela negra en América Hispana I
Organized by José Sánchez-Boudy, University of North Carolina at
Greensboro
Chaired by José R. de Armas, Denison University
9:00
La denuncia de la esclavitud en las novelas El ingenio de Anselmo
Suárez Romero y Cecilia Valdés de Cirilo Villaverde
José Sánchez-Boudy, University of North
Carolina at Greensboro
9:30
Patronio y Rosalía, una novela olvidada
Alberto Hernández-Chiroldes
10:00
La cultura africana en la novela cubana: de Saab de Gertrudis Gómez
de Avellaneda a Caja de juegos de Daína Chaviano
Ofelia M. Hudson, Miami-Dade Community College
10:30
Simpatías y diferencias en una anécdota esclava de la novela negra en
Hispanoamérica
Leonardo Fernández-Marcané, State University of
New York at Albany
Friday
18.
FRENCH III. Francophone II
Chaired
by Jennings Craig, University of North Carolina at Wilmington
9:00
Matrilineal Ties and the Redemptive Power of Writing in Gabrielle Roy’s
Autobiography La détresse el l’enchantement and Le temps qui m’a
manqué
Michaela
Voss Cottle, Brigham Young University
9:30 Soft Touch: The Expression of the Body in Anne Hébert’s Poetry
Everett J. Jacobus, Jr., Davidson College
Friday
19.
COMPARATIVE LITERATURE. Literature
Through Time
Chaired by P. J. Lapaire, University of North Carolina at Wilmington
9:00
Des Essais de Montaigne au Journal de voyage:
“Non pas sans médecine, mais ouy bien sans médecin”
Marie-Thérèse Noiset, University
of North Carolina at Charlotte
9:30
I Read, Therefore She Is: Creating the Fictitious Character in
Selected
Eighteenth-Century Epistolary Novels
Elizabeth Barron, Wake Forest
University
10:00
Break
10:30
A Time for Kindness: Models for Humanity in the Poetry of Azalais de
Porcairages and Marceline Desbordes-Valmore
Susan F. Crampton, University of
North Carolina at Wilmington
11:00
Silencing the Spoken Word: Communication
in Virginia Woolf’s To the Lighthouse and Marguerite Duras’ Moderato
Cantabile
Amy K. Shaw, University of North
Carolina at Chapel Hill
Friday
20.
FILM II. La mirada femenina
y el melodrama del cabaret en el registrocinemático de Argentina y México
Organized by Mercedes Guijarro-Crouch, Peace College
Chaired by Graciela Lucero-Hammer, Salem College
9:30 What is “That” in María Luisa Bemberg’s De eso no se habla?
Barbara Fulks, Davis and Elkins College
10:00
The Myth of the Happy Homemaker: “Lección de cocina” and Como
agua para chocolate
Barbara Clark, Averett College
10:30
Break
11:00
De noche vienes, Esmeralda y la mímica de la virtud
Mercedes Guijarro-Crouch, Peace College
11:30
Melodrama del cabaret: modernidad, cultura y espectáculo
Magdalena Maíz-Peña, Davidson College
Luis H. Peña, Davidson College
Friday
21.
VISUAL REPRESENTATIONS I.
Representations in Film
Organized
and chaired by Oliver Speck, University of North Carolina at Wilmington
9:30
Toutes les histoires: History, Virtuality and Memory in Godard
Scott Durham, Northwestern University
10:00
Overcoming Metaphysics in Three Steps: Lola rennt/Run Lola Run
Oliver C. Speck, University of North Carolina
at Wilmington
10:30
Break
(Due to travel crisis the following two papers will be
presented at 4:30 and 5:00 Friday in Lakeside 108.)
11:00
Distorting Lens, Disabled Soundtrack, or Why Film Can’t Hear
Literature Any Better Than It Sees: The Case of
Dracula
Alan Lutkus,
State University of New York at Geneseo
11:30
Visual Representation of The Age of Innocence
Friday
Chaired by Donnie D. Richards, Georgia Southern University
Carmen Sotomayor, University of North Carolina
at Greensboro
Michael Seidman, University of North Carolina
at Wilmington
Friday
23.
PEDAGOGY I: Learning a
Foreign Language: Online Instruction Versus Classroom Instruction
Organized
by Dolly Jesusita Young, University of Tennessee, Knoxville
Chaired
by Elizabeth Pressley, University of North Carolina at Wilmington
10:00-11:00
Panelists:
Margaret
Beauvois, University of Tennessee, Knoxville
Carla
Phillips, University of Tennessee, Knoxville
Dolly
Jesusita Young, University of Tennessee, Knoxville
3.
LATIN Friday
24. LATIN
AMERICAN VIII. Theatre
Special Session in Honor of George Woodyard
Organized
and chaired by Jacqueline Bixler, Virginia Tech
10:30
Latin American Theatre: 35 Years in Review
George
Woodyard, University of Kansas
11:00
Theater as Social Criticism: Four Contemporary Latin American Plays
11:30
Mission Impossible: or Taking Aim at the Canon of Latin American Theatre
Sandra
Cypess, University of Maryland
Elaine
Miller, University of Maryland
Friday
25.
HISPANIC III. Chicano Literature
Chaired by Sylvia Santaballa, University of North Carolina at
Wilmington
11:00
Discurso narrativo y el cronotipo de Bajtín en la novela chicana …y
no se lo tragó la tierra
de Tomás Rivera
Jennifer
A. Colón, Florida State University
11:30
Ana Castillo’s Peel My Love Like an Onion: Cultural Balance
Michele
Shaul, Queens College
Friday
26.
GERMAN I. Genres in German
Literature
Chaired by
Lee Tatum, University
of North Carolina at Wilmington
11:00
Die Losungen der Brueder–-Unitaet Hermhut: A Closer Look
Brigitte Edith Archibald, North
Carolina Agricultural and Technical State University
11:30
Constructions of Self in Late-Nineteenth Century Autobiographies of the Working
Class
Birgit A. Jensen, East Carolina
University
Friday
27.
SPANISH IV. Women Poets
Chaired by
R. Terry Mount, University of North Carolina at Wilmington
11:30
Transitions: Visions of the Self in Atencia’s Recent Poetry
Anita M. Hart, University of Nebraska at Kearney
12:00
Transcending Gender: Ana Rossetti’s Punto umbrío
Martha LaFollette Miller, University of North
Carolina at Charlotte
12:30
La intimidad trascendida en la poesía de Sara Pujol
Francisco J. Peñas-Bermejo, University of Dayton
Friday
28.
PEDAGOGY II. Foreign Language Challenges
Chaired by Agnese Ille, University of North Carolina at Wilmington
11:30
Specific Purpose Language Instruction
George Mansour, Michigan State University
12:00
Assisting Students to Deliver Oral Presentations that Meet
Expectations
FRIDAY
AFTERNOON SESSIONS
Friday
29.
HISPANIC IV. Theatre Beyond the Borders of Latin America
Session in Honor of George Woodyard
1:00
Defragmenting the Theatre of Itziar Pascual
1:30
Exile, Identity, Intertextuality: The Other Stories in Pedro Monge’s
Otra Historia
Friday
30. LATIN
AMERICAN X. Literature of the
Southern Cone
Chaired
by Ronald J. Friis, Furman University
1:00 Los de arriba, los de abajo: la dupla personajes-espacio en Babilonia
(1925) de Armando Discépolo
María Teresa Sanhueza, Wake Forest University
1:30 Borges’s “Funes the Memorious”: a Case of Excessive Logic
2:00 The Anatomy of The Anatomist’s Metatextual Biopsy of the
Novel
Paul Roggendorff, University of Kentucky
Friday
31.
HISPANIC V. Latino/a
Literature: Negotiating Sexuality and Ethnicity: Redefining
Identity
in Latin@ Texts
Organized and chaired by I. Carolina Caballero, University of North
Carolina at Chapel Hill
1:00
Recreating Creation: Vindicating the Mother/Whore in Carlos Morton’s
El jardín and Cherrie Moraga’s Loving in the War Years
Jennifer Wooten, University of North Carolina at
Chapel Hill
1:30 Staging Humor, Exploring Identities: Monica Palacios's Greetings
from a Queer Señorita
Linda Saborío, University of North Carolina at
Chapel Hill
2:00 The Invocation and Transformation of a Literary Foremother: Lesbian
Disidentification and the Figure of Julia de Burgos in Luz María Umpierre’s The
Margarita Poems
2:30 Carmelita Tropicana: Performing Memory and Subverting Reality in Milk
of Amnesia and Memories of the Revolution
Friday
32.
SPANISH V. Twentieth Century Prose
Chaired by Miguel R. Ruiz-Avilés, Austin Peay State University
1:00 La búsqueda en cuentos selectos de Ignacio Aldecoa
1:30 Ramón Sender’s Pursuit of “Lo absoluto real”: The Search of a
Lifetime
2:00
Evolución del símbolo ofidiano en Juan sin Tierra : sexo,
escritura y escatología
Friday
33.
VISUAL REPRESENTATIONS II. Representations
in French Literature
Organized and chaired by Oliver Speck, University of North Carolina at
Wilmington
1:00 “VACHE FOLLE/FOLIE DE VACHE”: Cultural Representations
Margaret Ozierski, Duke University
1:30
Thérèse Raquin's
Becomings: A Schizoanalytic Interpretation
Noémie Parrat, University of Pittsburgh
2:00
Turning Japanese: Amélie Nothomb’s Identity Crisis in “La Métaphysique
des tubes” and “Stupeur et tremblements”
2:30 Midinettes: From Working Girls to Women at Work
Gina K. Zupsich, Loyola University Chicago
Friday
34.
LATIN AMERICAN XI.
La novela negra en América Hispana II
Organized by Ofelia M. Hudson, Miami-Dade Community College
Chaired by Leonardo Fernández-Marcané, University
of New York at Albany
1:00
África en dos obras de Alejo Carpentier: El reino de este mundo y
Ecué Yamba O
Aleida Garrido Martínez, Círculo de Cultura
Panamericana
1:30
Biofilia y necrofilia en la novela de Josefina Leyva
Rut, la que huyó de la Biblia
2:00
El entorno como cubanía en Cecilia Valdés de Cirilo Villaverde
José Sánchez-Boudy, University of North Carolina
at Greensboro
Friday
35.
HISPANIC LINGUISTICS II. Linguistics
and Literature
Organized and chaired by Francesco D’Introno, University of
Massachusetts at Amherst
1:00
Estructura social en el discurso literario
Francesco D’Introno, University of Massachusetts
at Amherst
1:30
Literatura en dos lenguas
2:00
Code-switching y poesía chicana
2:30
Lenguaje y sociedad en una novela venezolana
Rosemary Weston, Amherst College
Friday
36.
FRENCH IV. Perspectives on
Twentieth Century France
Organized by P.J. Lapaire, University of North Carolina at Wilmington
Chaired by Carolyn Durham, The College of Wooster
1:30
Supplying Paris: Food and Fuel in May 1968
2:00
La Guerre d’Indochine vue par Lucien Bodard: héroïsme, corruption et
incompréhension des Français au Vietnam
P.J. Lapaire, University of North
Carolina at Wilmington
Friday
37.
PEDAGOGY III. Spanish
Organized by Gregory B. Kaplan, University of Tennessee, Knoxville
Chaired by Brian N. Stiegler, Salisbury State
University
1:30
El uso de la tecnología en una clase de cultura y literatura
2:00 El análisis literario y la enseñanza de la literatura : Un
enfoque pedagógico de tres cuentos españoles
2:30
From the Screen to the Chalkboard: Teaching La lengua de las
mariposas
Friday
38.
LATIN AMERICAN XII. Theatre of the Southern Cone
Session in Honor of George Woodyard
Chaired by Vicky Unruh, University of Kansas
2:00 El desafío de la mujer al orden patriarcal en La malasangre de
Griselda Gambaro
Celia Garzón-Arrabal, University of North
Carolina at Chapel Hill
2:30 Memory and Seduction in
Roberto Cossa's EL SALUDADOR
Friday
39.
SPANISH VI. Twentieth
Century Theatre
Chaired by María A. Salgado, University of North Carolina at Chapel
Hill
2:00 La cuestión ética en En la ardiente oscuridad
2:30 Entre realidades e ilusiones fragmentadas: La imaginación posmoderna en El
traductor de Blumemberg y Más ceniza de Juan Mayorga
John P. Gabriele, The College of Wooster
Friday
3:00
PLENARY SESSION
Bryan Auditorium (Morton Hall 100)
Keynote Address: The Gray Dachshund:
Of Borders, Barriers, Bridges, and Us
by John Kronik, Cornell University
Introduction by Denise DiPuccio, University of North Carolina at Wilmington
4:00-4:30 BREAK: Refreshments in Morton Hall
Friday
40.
LATIN AMERICAN XIII. Theatre of
Central America and the Caribbean
Session in Honor of George Woodyard
Chaired by Iani Moreno, Salve Regina University
4:15 Parece blanca y Cecilia Valdés: Un estudio de
intertextualidad
dramática
en el
teatro
4:45 Juegos de
violencia
y poder en Sobre chapulines y otras langostas de Wálter Fernández
Deborah J. Cohen, Slippery Rock
University
5:15
Roxana Campos: Actress, Author, Director and Feminist
Carolyn Bell, Kutztown University of Pennsylvania
5:45 De la casa a la cárcel : Ser y
espacio en Marqués y Piñero
Roberto
Irizarry, University of South Carolina, Columbia
Friday
21B. Visual Representations I-B. Two presentations
moved from 11:00 and 11:30
Friday morning (from Session 21)
Organized and chaired by Oliver Speck, University of North Carolina at Wilmington
4:30
Distorting Lens, Disabled Soundtrack, or Why Film Can’t Hear
Literature Any Better Than It Sees: The Case of
Dracula
Alan Lutkus,
State University of New York at Geneseo
5:00
Visual Representation of The Age of Innocence
Friday
41.
LATIN AMERICAN XIV. Poetry
Chaired by Gastón Fernández, Clemson University
4:30 Alaíde Foppa ante la palabra
Oralia Preble-Niemi, University of Tennessee at
Chattanooga
5:00
Luz y sombra en la poesía de Amelia del Castillo
José R. de Armas, Denison University
5:30
Color, erotismo, religiosidad y rebeldía en una poética femenina
Amelia del
Castillo, PEN Club de Escritores Cubanos-Exilio
Friday
42.
LATIN AMERICAN XV
Chaired by Leonor Álvarez de Ulloa, Radford University
4:30
On Building a Boyhood:
Representations of the Child in Bryce Echenique’s Un mundo para Julius and
Bayly’s Yo amo a mi mami
Brian
N. Stiegler, Salisbury State University
5:00
El Cristo de espaldas, obra esperpéntica de la violencia
colombiana
Juan Carlos Valencia, Truman State University
5:30
La crónica como ficción y la ficción como crónica en los relatos
de Carlos Monsiváis
Lori Celaya, University of Tennessee, Knoxville
Friday
43.
SPANISH VII. Carmen Martín Gaite: In Memoriam
Organized by José L. Murillo-Amo, Marshall University
Chaired by Nancy Norris, Western Carolina
University
4:30
Sentimental Journey and the Commodification of Memory in “Irse de
casa” de Carmen Martín Gaite
Carla
Olson Buck, College of William and Mary
5:00
Love in Franco’s Time According to Gaite’s Usos amorosos de la
posguerra
española
José L. Murillo-Amo, Marshall University
Friday
44. FRENCH V. Nineteenth Century Literature
Chaired
by Noelle Wynne, University of North Carolina at Wilmington
4:30
Modern Knights: Chivalry and Honor in Victor Hugo’s Novels
Jennings Craig, University of North Carolina at
Wilmington
5:00
Nudity in Art: Is it Lascivious or Chaste?
A Paradox in Emile Zola’s L’Oeuvre
Julie
English-Hendrix, University of Tennessee, Knoxville
Friday
45.
HISPANIC LINGUISTICS III
Chaired by Alfredo B. Torrejón, Auburn University
4:30 Opposite Phonologies: A Parameter of Rhythm in Germanic and Romance
M. Stanley Whitley, Wake Forest University
5:00 Bilingual? Bicultural? …Bi-identity? A Survey Study
Lourdes Sánchez-López, University of Alabama
at Birmingham
5 :30 The Acquisition of the Spanish Voiceless Stops in a Study Abroad
Context
John J. Stevens, University of North Carolina
at Wilmington
Friday
46.
PEDAGOGY IV
Chaired by Susan F. Crampton, University of North
Carolina at Wilmington
4:30
Libraries, They’re Not Just for Geeks
Anymore: Foreign Language Skills and the Academic Librarian
JoEllen Morrison, Marymount College of Fordham
University
5:00 Proust pour tous
Michèle Magill, North Carolina State University
5:30 What is the Language Lab Coming to?
Stéphane Charitos, Columbia University
Friday
47.
STUDY ABROAD II
Organized and chaired by Juan Manuel Sampere, Estudio Internacional
Sampere, Madrid
4:30 Dificultades del estudiante americano en la adquisición de la lengua
española
5:00 The Graduate and Undergraduate Study of Spanish Language and Literature
in
Spain
Miguel R. Ruiz-Avilés, Austin Peay State
University
Friday
7:30-9:30
CONFERENCE BANQUET
Ballroom, Warwick Center
Music by Tuppence
Simon Spalding and
Sara Kirtland
SATURDAY MORNING SESSIONS
Saturday
48.
LATIN AMERICAN XVI. Sabina
Berman and Jesusa Rodríguez
Session
in Honor of George Woodyard
Organized
by Jacqueline Bixler, Virginia Tech
Chaired
by Catherine Larson
9:00
Corporeal and National Identity in Jesusa Rodríguez’s Performances
Margarita Vargas, University of
Buffalo
9:30
La pistola de Sabina Berman
Laurietz Seda, University of Connecticut
10:00
Professors and the Mexican Stage: Berman’s Adrian, Usigli’s
Oliver, and My Own Meddlesome Meditation
Stuart
Day, University of North Carolina at Chapel Hill
10:30
The Impo(r)tence of the Male Intellectual in the Theatre of Sabina
Berman
Francine A’Ness, Dartmouth University
Saturday
49.
LATIN AMERICAN XVII. Perspectives
on Latin American Women Writers
Chaired by Teresita J. Parra, University of North Carolina at Wilmington
9:00 History and National Identity in Carmen Boullosa’s Llanto: novelas
imposibles (1992)
Kathryn Quinn-Sánchez, Duke University
9:30 La novela de aprendizaje y su protagonista
Norma A. Rivera-Hernández, Millersville
University
10:00 An Analysis of Gender Roles in Realist Novels of Clorinda Matto de Turner
Mary
Garland Jackson, Central Michigan University
Saturday
50.
SPANISH VIII. Nineteenth Century Literature
Chaired by George Mansour, Michigan State University
9:00
La España del siglo XIX como descrita por un viajero cubano
Gregorio C. Martín, Duquesne University
9:30
Patterns of Conflict: the Individual and Society in Spanish Romantic
Novels
Sheila
Ackerlind, United States Military
Academy, West Point
10:00
Estructura y sentido de misterio en la rima LXX de Bécquer
Eugene B. Hastings, Morehead State University
Saturday
51.
HISPANIC LINGUISTICS IV
Organized and chaired by Juan C. Zamora, University of Massachusetts at
Amherst
9:00 Spanglish, mito o realidad
César Alegre, University of Massachusetts at
Amherst
9:30 Sobre los pronombres en español
Esther Castro, University of Massachusetts at
Amherst
10:00 Prensa femenina y actos de habla ilocutivos y perlocutivos
Florinda Ruiz, Roanoke College
10:30
Break
11:00 Alternancia español/inglés en niños hispanos de escuela primaria
Margarita Valle, University of Massachusetts at
Amherst
11:30 ¿Ciber Espanglish?: Préstamos y calcos en el
lenguaje del Internet
Beatriz Verdasco, University of Massachusetts
at Amherst
12:00 Malas palabras en España e Hispanoamérica
Juan C. Zamora, University of Massachusetts at
Amherst
Saturday
52. VISUAL
REPRESENTATIONS III. Representations
in Literature and the Media
Organized by Oliver Speck, University of North Carolina at Wilmington
Chaired by Margaret Ozierski, Duke University
9:00 Food For Thought, Food For Feminists: A New Social Construct in
Multicultural Literature
Terry Shepherd, Millikin University
Cheryl Toman, Millikin University
9:30 “Eigenartig leere Bilder”: Sebald the Skeptical Mnemonist
Martin Klebes, Northwestern University
10:00 Inner dialogue in Judith Hermann’s Sommerhouse Später and
Lorrie Moore’s Birds of America
Erika Stevens, Duke University
10:30 Break
11:00 Images in Word and Film
Molly Hamblin, Independent scholar
11:30 Media Complicity in State Department War Crimes
Kevin Teng, Northwestern University
Saturday
53. GERMAN II. Distance
Education Panel
Organized and chaired by Raymond Burt, University of North Carolina
at Wilmington
Helga G. Braunbeck, North Carolina State University
Kevin Kennedy, Appalachian State University
Raymond Burt, University of North Carolina at
Wilmington
Oliver Speck, University of North Carolina at
Wilmington
Saturday
54. PEDAGOGY
V. U
Chaired by Melinda Johansson, University of North Carolina at Wilmington
9:00 Instructional Material on the Web for Spanish Through Music
Z. David Zuwiyya, Auburn University
9:30 Some Web-based Activities for the Rest of Us
Alfredo B. Torrejón, Auburn University
10:00 The Use of a Web-based Lesson to Teach Students about the Day of the
Dead
Anastacia G. Kohl, University of North Carolina
at Chapel Hill
10:30
WebCT and Supplemental Activities: Using E-mail and A-synchronous Discussion for Two Online French Courses
Charles Gidney, Coastal Carolina University
Saturday
55. FRENCH
VI. Perspectives on Literature,
Film, and Linguistics
Chaired by James P. McNab, University of North Carolina at Wilmington
9:30 Naming the Nation: Allegory in Claire
Denis's Chocolat
Carolyn Durham, The College of Wooster
10:00
La productivité du coup et la sémantique puissancielle
Marina Nielsen, Independent scholar
10:30 Break
11:00 Camille and Paul Claudel: un jeu de reflets
Lorraine E. Reams Murphy, Peace College
11:30 The Concept of Time in Four Early Twentieth Century French Plays
D. Hampton Morris, Auburn University
Saturday
56.
LATIN AMERICAN
Chaired by Ann Ortiz, Campbell University
9:30
Anotaciones sobre la narrativa temprana de Sarduy
Leonor A. de Ulloa, Radford University
10:00
Sobre el detalle y la elipsis en Cobra de Sarduy
Justo C. Ulloa, Virginia Tech
Break
11:00 La marginalidad en Hechos consumados (1981) de Juan Radrigán
Lisa
A. Barboun, Coastal Carolina University
11:30 El metateatro : la relexividad discursivo en Obituario
Lourdes Betanzos, Auburn University
Saturday
57. GERMAN
III. German Literature
Chaired by Raymond Burt, University of North Carolina at Wilmington
10:30 Encounters with Contemporary Authors: The Loyola College Literature
Seminars in Berlin
Finley Taylor, University of Central Florida
11:00 “Da hatte sie mich in einen Sack gesteck”: Befreiungsversuch des
jungen Goethe aus der Despotie der Liebe
Kevin Kennedy, Appalachian State University
Saturday
58. LATIN
AMERICAN XVIII. Mexican Theatre
Session in Honor of George Woodyard
Organized by Jacqueline Bixler, Virginia Tech
Chaired by Stuart Day, University of North Carolina
at Chapel Hill
11:00 Frida Kahlo: Mirror Images and Reflections on Popular Culture
Sarah Misemer, University of Kansas
11:30 The Work of Mexican Set Designer Philippe Armand: Or the Art of
Intimate Sets
Tim Compton, Northern Michigan University
12:00
Tiempo prestado, tiempo robado: Escenificando el SIDA en
“A tu intocable persona” de Gonzalo Valdés Medellín
Manuel Medina, University of Louisville
Saturday
59.
LATIN AMERICAN XX. Poetry
Chaired by Peter Thomas, University of North Carolina at Wilmington
11:00 La poesía
guatemalteca del siglo XIX a vista de pájaro
María A. Salgado, University of North Carolina
at Chapel Hill
11:30 Ghostly Forms in the Poetry of José Juan Tablada
Ronald J. Friis, Furman University
12:00 Identifying Delmira Agustini
Kerri Anderson, University of North Carolina at
Chapel Hill
Saturday
60. SPANISH
IX. Nineteenth Century Literature
Chaired by John P. Gabriele, The College of Wooster
11:00 Figures of Addiction in Fortunata y Jacinta
Lance Gutiérrez, Radford University
11:30 The Animals We Are: Images of Bestial Reduction in La Regenta
(1885) and Fortunata y Jacinta (1887)
Louis Bourne, Georgia College and State University
Saturday
61. MEDIEVAL
LITERATURE: Medieval Literature and the Marvelous
Organized and chaired by Z. David Zuwiyya, Auburn University
11:00
Una interpretación más para Don Melón, pintoresco personaje de El
libro de buen amor
Efraín Garza, Columbus State University
11:30
Le miracle de l’argent dans Le Croissant en prose (1454), edité
par Michel le Noir, 1513
Michel Raby, Auburn University
12:00
The Art of descrivre: A Few Remarks on the Marvelous in the Chevalier
de la Charrette
Sarah Jane Murray, Princeton University
Saturday
62. PEDAGOGY
VI. Technology Workshop Session
11:30-12:30
Creating Interactive Language Exercises for the Web
Melinda Johansson, University of North Carolina at
Wilmington
Saturday
12:30 MIFLC BUSINESS
MEETING
Lakeside Hall 127
Index
of Participants in Conference Sessions
(references are to session numbers)
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Ackerlind,
Sheila 50
Alegre, César 51
Anastasio, Pepa 37
Anderson, Kerri 59
A’Ness, Francine 48
Archibald, Brigette Edith 26
Armas, José R. de 17, 41
Balestra, Alejandra 16
Barbas Rhoden, Laura H. 14
Barboun, Lisa A. 56
Barron, Elizabeth 19
Bautista, Karina A. 15
Beauvois, Margaret 23
Bell, Carolyn 40
Berrada, Taieb 3
Betanzos, Lourdes 56
Bixler, Jacqueline 10
,
12,
23, 29,
38, 40,
48,
58
Bourne, Louis 60
Braunbeck, Helga G. 53
Buchert, Fátima E. C. 11
Buck, Carla Olson 43
Bulman, Gail 29
Burt, Raymond 53,
57
Caballereo, I. Carolina 31
Camí-Vela, María 1,
4
Canales,
Carlos 10,
dramatic
reading
Castillo, Amelia del 41
Castro, Esther 51
Celaya, Lori 42
Charitos, Stéphane 46
Chatzidimitríou, Ioanna 3
Chen, Zhuyan 8
Clark, Barbara 20
Cohen, Deborah J. 10, 40
Colón, Jennifer A. 25
Compton, Tim 58
Corradini Corrado 30
Cottle, Michaela Voss 18
Craig, Jennings 18, 44
Crampton, Susan F. 11,
19, 46
Cruz-Cámara, Nuria 37
Day, Stuart 48,
58
Deville, Jennifer 3
DeWeese, Pam 7
D’Introno, Francesco 35
DiPuccio,
Denise dramatic reading, plenary
session
Dupré, Sonia 16
Durham, Carolyn 36,
55
Durham, Scott 21
English-Hendrix, Julie 44
Fernández-Marcané, Leonardo 17,
34
Fernández, Gastón 41
Forster, Merlin 24
Freire, Jesús 10
Friis, Ronald J. 30,
59
Fulks, Barbara 20
Gabriele, John P. 39,
60
García Armero, Carmen 32
García-Castañon, Santiago 13
Garrido Martínez, Aleida 34
Garza, Efraín 61
Garzón-Arrabal, Celia 38
Gidney, Charles 54
Gilmore, Elsa 11,
29
Godev, Concepción B. 28
González-Rivera, Jeandelize 15
Guijarro-Crouch, Mercedes 20
Gutiérrez, Lance 60
Hamblin, Molly 52
Hart, Anita M. 27
Hastings, Eugene B. 5,
50
Hermann, Eliana C. 7
Hernández, Carmen N. 16
Hernández, Javier 4
Hernández-Chiroldes, Alberto 17
Hudson, Ofelia M. 17,
34
Irizarry, Roberto 40
Jackson, Mary Garland 49
Jacobus, Everett J. Jr. 18
Jensen, Birgit A. 26
Johansson, Melinda 54, 62
Kaplan, Gregory B. 37
Kennedy, Kevin 53, 57
Kirtland, Sara banquet
Klebes, Martin 52
Kohl, Anastacia 54
Korosy, Alice 5
Kronik, John plenary session
Lapaire, P.J. 19,
36
Larson,
Catherine 48
Lerat, Catherine 11
Lobato, María 47
Lucero-Hammer, Graciela 20
Lunsford, Kern L. 16
Lutkus, Alan 21,
21B
Magill, Michèle 46
Magnarelli, Sharon 38
Maíz-Peña, Magdalena 20
Malin Mark R. 6
Mansour, George 28,
50
Marie, Elisabeth 3
Martín, Gregorio C. 50
Martínez, Agustín A. 35
Martínez, Delmarie 4
Matus-Mendoza,
Mariadelaluz 16
McNab, James P. 8, 55
Medina, Manuel 58
Mihaly,
Deanna 14
Miller, Elaine 24
Miller, Martha LaFollette 27
Misemer, Sarah 58
Moreno, Iani 12,
40
Morris, D. Hampton 55
Morrison, JoEllen 46
Morton, Julia Centurión 2
Mount, Joann McFerran 9
Mount, R. Terry 6,
27,
banquet
Murillo-Amo, Jose L. 13,
43
Murphy, Lorraine E. Reams 55
Murphy, Peter G. 14
Murray, Alison 1
Murray, Sarah Jane 61
Nalbone,
Lisa
5
Nielsen,
Marina 55
Noiset, Marie-Thérèse 19
Norris, Nancy A. 32,
43
Ortiz, Ann 9,
56
Ozierski, Margaret 33,
52
Palls, Terry 40
Parks, Theodore H. 14
Parra, Teresita J. 2,
49
Parrat, Noémie 33
Parrilla,
Osvaldo 6, 13
Pattroni, Rossana
2
Peña, Luis H. 20
Peñas-Bermejo, Francisco J. 27
Peterson, Justin 39
Phillips, Carla 23
Portela, Miren Edurne 14
Preble-Niemi, Oralia 41
Pressley, Elizabeth 23
Quinn-Sánchez, Kathryn 49
Raby, Michel 61
Richards, Donnie D. 22,
32
Rider, Valerie 8
Rivera-Hernández, Norma A. 49
Roggendorff, Paul 30
Romeiser, John B. 8, 22
Ruiz, Florinda 51
Ruiz-Avilés, Miguel R. 32,
47
Saborío, Linda 31
Salgado, María A. 39,
59
Sampere, Juan Manuel 47
Sánchez, Francisco Javier 13
Sánchez, María-Luisa 7
Sánchez-Boudy,
José 17,
34
Sánchez-López, Lourdes 45
Sandlin, Betsy A. 31
Sanhueza, María Teresa 30
Santaballa, Sylvia 9,
25
Santoyo, Julio César 35
Seda, Laurietz 48
Seidman, Michael 22,
36
Seiple, JoAnne banquet
Shaul, Michele 25
Shaw, Amy K. 19
Shepherd, Terry 52
Smith, Danielle 33
Sotomayor, Carmen 22
Spalding, Simon banquet
Speck, Oliver 1,
21, 33,
52,
53
Stevens, Erika 52
Stevens, John J. 16, 45
Stiegler, Brian N. 37, 42
Strickland, William reception
Tatum, Lee 26
Taylor, Finley 56
Teng, Kevin 52
Thomas, Peter 2,
14,
59
Toman, Cheryl 52
Torrejón, Alfredo B. 45, 54
Trujillo, Laura 7
Ulloa, Justo C. 56
Ulloa, Leonor A. de 42,
56
Unruh, Vicky 11,
38
Valencia, Juan Carlos 42
Valle, Margarita 51
Vargas, Margarita 48
Vargas, Mirta Corpa 7
Vérdasco, Beatriz 51
Versenyi, Adam 12
Watts, Sarah Miles 21,
21B
Weston, Rosemary 35
Whitley, M. Stanley 45
Whitmarsh, Rosa Leonor 34
Whittingham, Georgina 10
Woodyard, George 24
Woodyard, George (sessions in honor of) 10,
12,
24, 29,
38, 40,
48,
58
Wooten, Jennifer 31
Wynne, Noelle 44
Young, Dolly Jesusita 23
Zamora, Juan C. 51
Zatlin, Phyllis 29
Zupsich, Gina K. 33
Zuwiyya, Z. David 54, 61
MIFLC Review
Journal of the Mountain Interstate Foreign Language Conference
We invite you to submit your
2001 MIFLC paper for the forthcoming issue of MIFLC Review.
Please follow the guidelines stated in the Editorial Policy described
below. The deadline for submissions
is December 30.
The MIFLC Review
was established in 1990 under the editorship of Leonor A. Ulloa and is the
annual publication of the Mountain Interstate Foreign Language Conference (MIFLC).
It publishes critical studies on the modern languages and literatures as well as
interdisciplinary, comparative, Iinguistic, and pedagogical studies. Submissions
must be based on papers and presentations at the annual MIFLC meeting. Papers
prepared only for oral delivery and lacking proper documentation will not be
considered.
Manuscripts may be written in
English, French, Spanish, or German. They should be between twelve and twenty
pages long, excluding notes, and in a format appropriate for publication, with
all necessary documentation included. Documentation should follow the form
indicated in sections 5.1 - 5.6.2 of the 1985 MLA Style Manual. The author's
name should appear only on the cover page; it will be removed before review by
the Editorial Board. Each manuscript will be evaluated by at least two editors
or members of the Board; a third reader will be consulted in case of significant
disagreement.
The author should send the
original manuscript and two copies, along with a stamped, self-addressed
envelope, to the Editor of the MIFLC Review. The deadline for submissions is
December 30.
Accepted manuscripts are the
property of the MIFLC Review, which retains all copyrights. Rejected manuscripts
without self-addressed, stamped envelopes will not be returned.
The MIFLC Review
is indexed on the MLA International Bibliography and is a member of the Council
of Editors of Learned Journals.
All
correspondence should be addressed to
Professor Leonor A. Ulloa, MIFLC Review
P.O. Box 6937
Radford University, Radford, VA 24142
CALL FOR PAPERS
52nd Annual Mountain Interstate Foreign Language Conference
Furman
University
Greenville,
South Carolina
October
10-12, 2002
Deadline for submission of proposals: March 1, 2002
For information, contact:
Dr. Ronald J. Friis
Dept. of Modern Languages and Literatures
Furman University
Greenville, SC
29613
Telephone: (864)
294-2227
FAX:
(864)294-2041
email: ronald.friis@furman.edu
See detailed Call for Papers at: http://www.furman.edu/~rfriis/miflc2002.html
Estudio Internacional Sampere (EIS)
The four EIS schools have an international
atmosphere with students from more than twenty countries.
The main characteristics of the EIS schools are:
INDIVIDUALIZED ATTENTION IN SMALL GROUPS
QUALITY TEACHING IN A FRIENDLY ENVIRONMENT
QUALIFIED TEACHERS AND UP-TO-DATE MATERIALS
For more information go to: http://www.sampere.com
or speak with Juan Manuel Sampere at MIFLC 2001.