Mythology:
Midterm Review and
Preparation
Establishing divine order Zeus had to establish order in the universe with a series of conflicts that began at his birth. Other deities too had to establish their identities at birth, in a way that also established the nature of their provinces and powers, and their nature as a deity. Choose 2-3 deities whose early exploits define them and their powers. For each, consider the specific elements of myth that predict or illustrate the deity and his/her relationships with humans – to the extent that they do.
Fertility Fertility is a key concept of religion in any agricultural community. Choose three or four gods and/or goddesses, and compare their fertility functions. Address such questions as, what specific sort of fertility do they represent? How does this fertility align with their other characteristics or provinces? How specifically is it related to their gender? Does it explain or justify social practices? Does it have metaphorical meanings (about the nature of the world, the soul, the gods, etc.) in addition to more obvious “fertility” connotations?
Gods and Mortals We talk about the relationship between gods and humans as if it were a single thing, but in fact, different gods (in myth and in cult) have different types of relationships with mortals. Choose 3-4 deities and discuss their relationships to mortals, both in mythic narratives that portray such relationships, or in the worship that reveals that relationships. Be alert to internal inconsistencies (i.e. whether there is a contrast between myth and cult, or whether the same deity is shown in different qualities of relationship) and include them in your discussion.
Cross-gender relationships: Among the Olympian gods, the relationships between married couples are not especially harmonious. Discuss the marital relationships of Zeus and Hera, and Hephaestus and Aphrodite, both where they are not successful, and where they are. Then, discuss other male/female relationships among the Olympian gods, sexual or not, and discuss the ways in which they function successfully (or not) as cross-gender relationships.
Monsters:In this course, we have encountered many monsters, from the Cyclopes and Typhoeus to the Gorgons and Harpies; in addition we have found Giants, Titans (which can be a lot of things), and personifications of scary things. Choose several of these monstrous beings and discuss their role in Greek mythology, addressing such questions as: Do their monstrous powers by nature oppose them to order? Are their monstrous forms inherently frightening? Are their comic or “adventure story” or other functions in their stories? What sorts of feelings might stories featuring monsters engender in their audiences? Do monsters share some key factor in Greek myth, or all they all different; either way, what are the dynamics of monsters’ roles in Greek myth as a whole?
Creation MythThe myth below is a creation myth from outside the Greek & Roman worlds. Describe its similarities and differences to Greek creation myths (focusing on Hesiod but including others if you like) and the significance of these changes to the different cultures' views of how the universe is formed, the nature of god/the gods, the role of humans, and other significant issues.
'Before the world came into being there existed only the Cosmic Egg that floated unchanging in the Void for untold ages. Yin and Yang was the Egg, opposites perfectly mingled. And it was because they were perfectly mingled that the world could not yet be.
'Then within the Egg was born P'an Ku, the primordial man who slowly grew and grew until the Egg felt too cramped for him. Impatiently he stretched out his limbs and his hand closed about an axe, coming from whence no one knows. Striking with all his might, P'an Ku split the shell of the Egg and burst free.
'He then began to fashion the material of Chaos, separating Yin and Yang into sky and earth, in which he was aided by the four most fortunate creatures who had emerged from the Egg with him: the Unicorn, the Dragon, the Phoenix and the Tortoise. They were engaged in this labour for 18,000 years and each day P'an Ku grew ten feet, using his own body as a pillar to force heaven and earth apart.
'When the separation was complete and they had settled in their places, P'an Ku died. His breath became the wind and clouds, his eyes became the sun and moon. His stomach, head and limbs became the principal mountains of the world, watered by the rivers of his sweat and tears; his flesh became the fertile soil and his hair the plants and trees which took root in it. The fleas on his body became the human race.
1.
Thesis and Conclusion |
A |
Has a strong, individual thesis statement that shows thought and awareness of the materials, and prepares the reader for the arguments put forward for it in the paper; has a thesis that confirms the thesis and goes beyond it drawing on points made in the essay. |
B |
Has a strong thesis statement that addresses key issues in the topic; has a conclusion that demonstrates the validity of the thesis. |
C |
Has a thesis statement that is workable, but may be vague or stay within obvious grounds implicit in the thesis statement; has a conclusion that restates the thesis without demonstrating additional elements illuminated by the essay. |
D-F |
Has no thesis statement; has a thesis statement that does not directly address the issues of the topic; has no conclusion, or has a conclusion that is incoherent or not related to the thesis. |
Expertise |
A |
Has a wide-ranging and/or in-depth knowledge of the topic, so that specific and subtle points emerge; provides enough thoughtfully-connected material to demonstrate expertise. (This does not need to be proven” by long accounts of myths, but by using correct terms, names and narrative elements in arguing your point.) |
|
B |
Has a strong knowledge of the material; free of misconceptions and misidentifications; able to draw on specifics to make points; contains enough thoughtfully-connected material to demonstrate solid knowledge of the material. |
C |
Knows the material well, but may show some misconceptions or misidcentifications; OR knows the material in general terms, but not with much detail. |
D-F |
Does not show acceptable knowledge of myths, terms or names; has a number of misconceptions/misidentifications, is generally confusing. |
Argument/Interpretation |
A |
Develops nuanced interpretations of the material that arise from the thesis; goes beyond the obvious into original and innovative interpretations. |
B |
Effectively interprets the mythic material in a way that elucidates the points made in the thesis and reads the material effectively; OR original ideas and interpretations that may contain minor misconceptions or failure to consider key ideas. |
C |
Makes sound conclusions from the material, but sticks to more obvious points. |
D-F |
Does not know the material well enough to make effective interpretations; interpretations do not follow from the material; misconceptions and errors lead to insupportable conclusions. |
Evidence: |
A |
Gives evidence for points through references to specific scenes, characters, events, and sources;conclusions are supported by and follow from the evidence offered. |
B |
As above, but with some points not adequately or only generally supported, may have a minor misconception/error. |
C |
Makes valid points but often does not support them with specific references, but does give enough background so that the validity of the points is generally supported; contains a misperception/error that weakens arguments. |
D-F |
Makes unfounded statements; does not support statements by evidence or specific references to scenes, characters, events, sources; contains misconceptions that undermine arguments |
Terms, Names and Ideas for the Midterm Multiple Choice
myth | saga | legend | folktale |
archetype | etiology | primary source | secondary source |
Minoan | Mycenaean | sacred marriage | Iconography |
Homer | Hesiod | Ovid | Chaos |
Theogony | Eros | Gaia | Uranus |
Helius | Selene | Oceanus | Cronus |
Prometheus | Prometheus Bound/Aeschylus | Titanomachy | Five Ages |
Pandora | Succession Myth | Demeter | Poseidon |
Hera | Hestia | Hades | Hephaestus |
Artemis | Athena | Ares | Apollo |
Aphrodite | Muses | Hermes | Dionysus |
hubris | nemesis | anthropomorphism | polytheism |
monotheism | Herodotus | Croesus | Fates |
nymph | pantheon | Solon | iconography |
Xenophanes | liminal | Pontus | Proteus |
Nereids | Gorgons | Metis | Aegis |
Arachne | Minerva | apotropaic | Priapus |
Aphrodite | Urania | Pandemos | |
Adonis | Anchises | Plato | Aristophanes |
Socrates | Sappho | Artemis | Diana |
Niobe | Actaeon | initiation | |
Apollo | Ephesus | Asclepius | Delphi |
Pythia | Cassandra | Hyacinthus | Daphne |
Herm | Psychopompus | Caduceus | Trickster |
Dionysus | Bacchae | Euripides | Maenad |
Thyrsus | Tiresias | Cadmus | Pentheus |
Thebes | Narcissus | Katharsis | Anthesteria |
satyr | Eleusis/Eleusinian Mysteries | Demeter | Persephone |
Odysseus | Plato / Er | Virgil / Aeneid | Sibyl |
Charon | Styx | Cerberus | Tartarus |
Sisyphus | Tantalus | Ixion | Elysium |
Orpheus | Euridice |