Mythology:
Midterm Review and
Preparation
Mercy:Many of the Greek gods are merciless to those who offend them (e.g. Niobe, Pentheus, Actaeon). But are there also instances of mercy and benevolence granted by the gods? Look for places where a deity has shown mercy or favor (either through "gifts" from his/her provinces, or personal favor) and discuss the dynamics of these instances. Consider at least two different deities. In the course of the discussion, you may want to: compare the same deity's merciless acts; compare the two (or more) merciful deities; discuss what sorts of action are likely to earn mercy (or destruction); and discuss the wisdom about human life that such stories might convey to the people who believed in them.
Marriage Discuss the role of marriage in Greek myth, with a view to describing its complications and symbolic meanings. Is happy or unhappy marriage a common motif in myth? What does marriage mean in myth? You should consider both divine marriages (e.g. Zeus and Hera, Hades and Persephone) and human marriages (e.g. Orpheus and Eurydice).
Gods and Mortals We talk about the relationship between gods and humans as if it were a single thing, but in fact, different gods (in myth and in cult) have different types of relationships with mortals. Choose 3-4 deities and discuss their relationships to mortals, both in mythic narratives that portray such relationships, or in the worship that reveals that relationships. Be alert to internal inconsistencies (i.e. whether there is a contrast between myth and cult, or whether the same deity is shown in different qualities of relationship) and include them in your discussion.
Extraordinary Birth and Childhood: A number of gods have extraordinary births and/or childhoods, or go immediately into extraodrinary youthful achievements (e.g. Zeus, Artemis and Apollo, Hermes, Athena, Dionysus ...) Choose three or more of these deities and discuss the significance of their early prowess. Does it show something particularly important about their nature? If so, what? And how? (Through narrative, or symbolism or ... ) Is the birth/childhood feat a subject of art, and if so what ideas are conveyed visually? Does it lead to major cult places or elements (to the extent you have seen in M&L)? Do we get the same kind of information from each story, or are they all different? Are there deities without these elements in their mythology -- why not?
Parent and Child Greek myths feature many intense relationships between a parent and a child. Compare and contrast two or three of these relationships (you may use others to support points if you like). Consider such issues as, similarity or difference in the character of the parent/child duo, integration of divine function, messages about family life, metaphorical significance to human development or humans’ place in the world, and any other issues you would like to approach.
Dionysus and Demeter In Euripides' Bacchae, the prophet Tiresias contrasts Demeter and Dionysus as the deities of dry vs. liquid principles of fertility. Compare and contrast the ways in which the theme of fertility enters into the myth and worship of these deities. Consider both mythic issues (i.e. narratives that specify or hint at the fertility relationship) and fertility elements in worship (for example, Maenads, Eleusinian Mysteries, Anthesteria, Thesmophoria, etc.)
1.
Thesis and Conclusion |
A |
Has a strong, individual thesis statement that shows thought and awareness of the materials, and prepares the reader for the arguments put forward for it in the paper; has a thesis that confirms the thesis and goes beyond it drawing on points made in the essay. |
B |
Has a strong thesis statement that addresses key issues in the topic; has a conclusion that demonstrates the validity of the thesis. |
C |
Has a thesis statement that is workable, but may be vague or stay within obvious grounds implicit in the thesis statement; has a conclusion that restates the thesis without demonstrating additional elements illuminated by the essay. |
D-F |
Has no thesis statement; has a thesis statement that does not directly address the issues of the topic; has no conclusion, or has a conclusion that is incoherent or not related to the thesis. |
Expertise |
A |
Has a wide-ranging and/or in-depth knowledge of the topic, so that specific and subtle points emerge; provides enough thoughtfully-connected material to demonstrate expertise. (This does not need to be proven” by long accounts of myths, but by using correct terms, names and narrative elements in arguing your point.) |
|
B |
Has a strong knowledge of the material; free of misconceptions and misidentifications; able to draw on specifics to make points; contains enough thoughtfully-connected material to demonstrate solid knowledge of the material. |
C |
Knows the material well, but may show some misconceptions or misidcentifications; OR knows the material in general terms, but not with much detail. |
D-F |
Does not show acceptable knowledge of myths, terms or names; has a number of misconceptions/misidentifications, is generally confusing. |
Argument/Interpretation |
A |
Develops nuanced interpretations of the material that arise from the thesis; goes beyond the obvious into original and innovative interpretations. |
B |
Effectively interprets the mythic material in a way that elucidates the points made in the thesis and reads the material effectively; OR original ideas and interpretations that may contain minor misconceptions or failure to consider key ideas. |
C |
Makes sound conclusions from the material, but sticks to more obvious points. |
D-F |
Does not know the material well enough to make effective interpretations; interpretations do not follow from the material; misconceptions and errors lead to insupportable conclusions. |
Evidence: |
A |
Gives evidence for points through references to specific scenes, characters, events, and sources;conclusions are supported by and follow from the evidence offered. |
B |
As above, but with some points not adequately or only generally supported, may have a minor misconception/error. |
C |
Makes valid points but often does not support them with specific references, but does give enough background so that the validity of the points is generally supported; contains a misperception/error that weakens arguments. |
D-F |
Makes unfounded statements; does not support statements by evidence or specific references to scenes, characters, events, sources; contains misconceptions that undermine arguments |
Terms, Names and Ideas for the Midterm Multiple Choice
myth | saga | legend | folktale |
archetype | etiology | primary source | secondary source |
Minoan | Mycenaean | sacred marriage | Iconography |
Homer | Hesiod | Ovid | Chaos |
Theogony | Eros | Gaia | Uranus |
Helius | Selene | Oceanus | Cronus |
Prometheus | Prometheus Bound/Aeschylus | Titanomachy | Five Ages |
Pandora | Succession Myth | Demeter | Poseidon |
Hera | Hestia | Hades | Hephaestus |
Artemis | Athena | Ares | Apollo |
Aphrodite | Muses | Hermes | Dionysus |
hubris | nemesis | anthropomorphism | polytheism |
monotheism | Herodotus | Croesus | Fates |
nymph | pantheon | Solon | iconography |
Xenophanes | liminal | Pontus | Proteus |
Nereids | Gorgons | Metis | Aegis |
Arachne | Minerva | apotropaic | Priapus |
Aphrodite | Urania | Pandemos | |
Adonis | Anchises | Plato | Aristophanes |
Socrates | Sappho | Artemis | Diana |
Niobe | Actaeon | initiation | |
Apollo | Ephesus | Asclepius | Delphi |
Pythia | Cassandra | Hyacinthus | Daphne |
Herm | Psychopompus | Caduceus | Trickster |
Dionysus | Bacchae | Euripides | Maenad |
Thyrsus | Tiresias | Cadmus | Pentheus |
Thebes | Narcissus | Katharsis | Anthesteria |
satyr | Eleusis/Eleusinian Mysteries | Demeter | Persephone |
Odysseus | Plato / Er | Virgil / Aeneid | Sibyl |
Charon | Styx | Cerberus | Tartarus |
Sisyphus | Tantalus | Ixion | Elysium |
Orpheus | Euridice |